"Post capitalist philanthropy is a paradox in terms. A paradox is the appropriate starting place for the complex, entangled, messy context we find ourselves in as a species."
The authors take us on a journey from the history of wealth accumulation to the current logic of late-stage capitalism - and ultimately to the lived possibilities of other ways of knowing, sensing and being that can usher in life-centric models. This "ontological shift", as they call it, into new possibilities is at the heart of their work. Creating new-ancient-emerging realities is not simply about how we redistribute wealth or "fight power", but rather, how we perceive and embody our actions in relationship to a dynamic, animistic world and cosmos.
Their book is a result of decades of deep personal inquiry and practice, as well as lifelong engagement with activists, philanthropists, philosophers, social scientists, cosmologists and wisdom keepers.
The authors, Alnoor and Lynn, are co-directors of The Transition Resource Circle, a group focused on the broader transition from our current meta-crisis to adjacent possible futures. TRC seeks to work with resources and resource holders to alchemize and liberate capital to be in service to Life. They work through circle ways - "e.g. non-hierarchical, embodied cognition approaches, psycho-spiritual practices to move from a culture of entitlement to ways which honor the multiple entanglements of historical precedents, our respective lineages & karmic storylines, and what future beings (including ourselves) require for reconciliation and healing." TRC focuses on philanthropy as it has the potential to play a critical role in rebalancing wealth, power and historical injustices.
Alnoor Ladha is an activist, journalist, political strategist and community organiser. From 2012 to 2019 he was the co-founder and executive director of the global activist collective The Rules. He is currently the Council Chair for Culture Hack Labs. He holds an MSc in Philosophy and Public Policy from the London School of Economics.
Lynn Murphy is a strategic advisor for foundations and NGOs working in the geopolitical South. She was a senior fellow and program officer at the William and Flora Hewlett Foundation where she focused on international education and global development. She resigned as a"'conscientious objector" to neocolonial philanthropy. She holds an MA and PhD in international comparative education from Stanford University. She is also a certified Laban/Bartenieff movement analyst.
Ladha and Murphy conduct a"sweeping and engaging ethnography of the archetypal, mythopoetic, institutional, and philosophical territories of capital as a worlding agent and as a carceral dynamic obscuring transformational possibilities...We would need to move and think with our feet again, experimenting beyond money as a paradigm of control. We've already begun. --Bayo Akomolafe
Author, These Wilds Beyond our Fences: Letters to My Daughter on Humanity's Search for Home and founder of The Emergence Network
This book asks a daring question: can wealth be reappropriated to restore balance to our broken world? A key resource for anyone eager to rethink philanthropy and" economics in the 21st century. --Jason Hickel ~ Visiting Senior Fellow at the London School of Economics, author of The Divide and Less is More
Each page contained in this text"is a reminder of what my heart already knows is true, with information and inspiration that lifts the sense of possibility for making deep change together.-- Gail BradbrookCo-founder, Extinction Rebellion
The first of two 19th century detective mysteries set in lands which were to become parts of Canada.
Victoria, 1869. The ramshackle capital of British Columbia, one of the last colonies in North America, where among European, American and Chinese (known as 'Celestial') settlers vastly outnumbered by native Indians, a few thousand British try to establish the values, noble and ignoble, of what is beginning to be known as the Victorian age.
The body of a man, horribly mutilated, is discovered in the forest. This was Dr McCrory, an American 'alienist' or mad-doctor who was either an innovator in the treatment of mental illness, drawn to practice in the freedom of the colony, or a charlatan whose methods include the most dubious of pseudo-sciences: phrenology, Mesmerism, and sexual-mystical 'magnetation'. Chad Hobbes, fresh from England, is the detective who must solve the crime.
But this is more than a detective story. According to Charles Darwin, the difference between the savage and the civilised person is 'the difference between a wild and a tame animal.' Is this true? Chad faces this question not only in the new territory in which he finds himself, but in himself, and in those he comes to love.
Dr Seán Haldane in his historical and contemporary crime novels draws on his experience as a neuropsychologist in health services and the criminal justice system, first in Canada (Prince Edward Island and British Columbia) then in the UK from 1990 to 2020. From 2012 to 2020 he was in private practice based in London as an expert witness, working about 2/3 with police and crown prosecution services (via the National Crime Agency), and 1/3 with defence lawyers.
An absolutely worthy winner… Haldane makes the reader feel as if they've been dropped into the daily lives of those living in 1869-era Victoria, and refuses to shy away from the truth in favor of a more politically correct approach to historical fiction.
[Sean Haldane] is a major talent. The Devil's Making combines Canadian history, solid crime plotting and a real sense of native-Canadian social history into a stunning tale of greed, deceit and murder… Beautifully plotted and written, this is a terrific debut that promises greater works to come.
Truly an extraordinary narrative of nineteenth-century detective work… Haldane's ability to bring to life nineteenth-century British Columbia and portray with such fine precision the attitudes, prejudices, and beliefs of the period is a remarkable achievement. The Devil's Making is a page-turner written in exceptional prose with elaborate and exciting descriptions of the inhabitants and locales of pre-confederation Vancouver Island.
A powerful, enthralling mystery… The combination of that mystery and Haldane's significant control over the historical elements of the novel make The Devil's Making an immersive, propulsive reading experience.
A novel that succeeds on multiple levels… Earthy and erudite, an admirable blend of history and mystery, it examines issues the human race continues to confront while simultaneously spinning an absorbing story.
Haldane's first mystery, evocative and elegantly written, is a deeply philosophical look at a relatively unknown historical period.
Poet, publisher, and psychologist Haldane (Emotional First Aid) makes his fiction debut with an exceptional historical set on Vancouver Island, with this winner of Canada's Arthur Ellis Award for best novel… A host of intriguing characters combine with Haldane's firm grasp of the period to make this an enthralling read.
Haldane never shies away from period-specific language and attitudes, which make readers feel as though they are walking the dirty streets of Victoria by his side. Historical whodunit fans will relish this exciting trip to 19th-century frontier Canada.
Haldane's debut historical mystery transports readers to nineteenth century Vancouver Island, mounding period detail atop the smells and sounds of Victoria, B.C. - a booming town with a diverse population. A muddle of Native American tribes, fortune hunters, snake-oil salesmen, prostitutes, jailbirds, and drunks mixes with the nouveau riche and our narrator, antihero Chad Hobbes, in this atmospheric murder puzzle… Evocative of the Native American-British relationships in Eliot Pattison's Bone Rattler mysteries and Alex Grecian's dark, melancholy Walter Day series.
This singular story offers a lively, up-close look at Victorian manners and views of that time, set in the context of cold-blooded murder… Haldane gets under the skin of his characters, stripping away the civilized veneer to reveal the inner thoughts and desires of each individual, often at great odds with their public facades.
A strong crime fiction debut with an interesting multicultural element.
An Evil Tale I Heard is the sequel to The Devil's Making in which the English policeman Chad Hobbes solves the mystery of the discovery of the mutilated body of a British settler on Vancouver Island, in the Pacific in 1869. In 1871 Chad and his Tsimshian wife Lukswaas are on their way to England when Chad is asked to solve a new murder on another British island, Prince Edward Island, in the Atlantic. Its Mi'kmaq name is Abegweit: 'Cradled on the Waves'. The Mi'kmaq are now outnumbered by French and English-speaking settlers and the island is in debt and under pressure to join Canada. Marie Évangéline, the daughter of one politician and wife of another, is found savagely beaten to death. Who is trying to kill whom? Who is in love with whom? These questions reveal great goodness, but 'an evil tale'. Having travelled from sea to sea, Chad is again pulled between law and justice in a world where secrets are well hidden and protected.
Dr Seán Haldane in his historical and contemporary crime novels draws on his experience as a neuropsychologist in health services and the criminal justice system, first in Canada (Prince Edward Island and British Columbia) then in the UK from 1990 to 2020. From 2012 to 2020 he was in private practice based in London as an expert witness, working about 2/3 with police and crown prosecution services (via the National Crime Agency), and 1/3 with defence lawyers.