Progress isn't always a straight line.
When a non-denominational megachurch opens on the edges of a rural Mennonite community, a quiet--but longstanding battle--begins to reveal itself. For years, the traditionalists in the community have held fast to the values and beliefs they grew up with, while other community members have begun raising important questions about LGBTQ+ inclusion, Indigenous land rights, and the Mennonite legacy of pacifism.
Through a series of vignettes, Shelterbelts explores the perspectives, experiences and limitations of a wide range of characters who find themselves increasingly at odds with their surroundings. A pastor and his queer daughter learn that a family has left their church because of the "LGBT issue." Young activists butt heads with a farmer over the construction of a pipeline happening onhis fields. A librarian leaves suggestive notes for readers inside popular library books. By pulling these threads together, artist Jonathan Dyck has woven a rich tapestry--one that depicts a close-knit community in the midst of defining its future as it reckons with its past.
Jonathan Dyck is an illustrator and cartoonist from Winnipeg, Manitoba -- Treaty 1 territory and the homeland of the Métis Nation.
A Cross-Continental Roar!
In 2021, sixteen Indigenous spoken word artists from North and South America performed their works at the Festival of the Peripheries (FLUP) in Rio de Janeiro, Brazil and the Toronto International Festival of Authors (TIFA) in Toronto, Canada. This anthology, featuring poems from each of the performers, is the result of this remarkable cross-border collaboration. Digitally enhanced with QR codes, Slam Coalkan links readers to the poets' performances at the festivals.
From these pages the poets sing their hopes and their dreams. These are the voices of resistance, voices that speak out against the evils of colonialism, racism, transphobia, and genocide. Voices that cry, shout, whisper and roar passionate messages to the world.
Jennifer Alicia Murrin (they/she) is a queer, mixed (Mi'kmaw/Settler) storyteller originally from Elmastukwek, Ktaqmkuk (Bay Of Islands, Newfoundland), now residing in Toronto. She is a two-time national poetry slam champion and member of Seeds & Stardust Poetry Collective. Jennifer Alicia's debut chapbook was released by Moon Jelly House, Fall 2020.
Renata Tupinambá's Indigenous name is Aratykyra; she is a journalist, producer, poet, consultant, curator, screen-writer and visual artist. She founded the Indigenous production company Originárias Produções. Collaborator of the Visibilidade Indígena network. For 15 years she has been working with the dissemination of Indigenous culture and ethnocommunication. She has been on the Curating Council of TV Cultura - Fundação Padre Anchieta since 2020. She is a member of the Amotara Zabelê in Bahia, a school of ancestral knowledge in Tupinambá territory in the Una municipality. Creator of the Originárias podcast, the first podcast of interviews with Indigenous artists and musicians in Brazil, which is a part of PodSim, a group of female-led podcasts. Co-founded Rádio Yandê, the first Brazilian Indigenous web radio. Curator of the Festival Corpos da Terra - images of Indigenous peoples in Brazilian cinema (2021). Curator of the second screening of Etnomídia indígena (2021). Curator of the Festival de Música indígena, at CCVM's Indígenas BR 2021 festival. Curator of the first Brazilian festival of contemporary Indigenous music, by Rádio Yandê, at Unibes Cultural in São Paulo (2019).
From acclaimed filmmaker, artist and activist Marjorie Beaucage comes a poetic memoir that reflects on seven decades of living and seeking justice as a Two Spirit Michif woman. Poems, poetic observations and thoughtful meanderings comprise this inspirational journal-memoir-poetry collection from a woman who has dedicated her life and her talent to creating social change. Unfolding the wisdom gained from experience, leave some for the birds: movements for justice offers guidance for younger activists following the author's trailblazing footsteps.
Marjorie Beaucage is a proud Métis Two Spirit Filmmaker, cultural worker, and community based video activist. Her work as a community based independent artist, seeks to question, empower, and change the ways we look at ourselves...seeing from the inside out. Marjorie was a cofounder of the Aboriginal Film and Video Art Alliance. As a 'Runner' she worked as a cultural Ambassador to negotiate self governing partnerships and alliances with the Banff Centre for the Arts, V-tape, the Canada Council for the Arts which resulted in the development of Aboriginal Arts programs. She also programmed the first Aboriginal Film Festival in Toronto in 1992 .
"I have long admired Margie's tenacious ability to persevere in spite of the obstacles placed in front of her. She continues to challenge the status quo and hangs onto what is right and just. She awakens, supports and lifts the many voices who struggle to be heard. Her voice dives deep into the depth of unknown and bewildering waters. Yet, she bubbles to the surface, takes a breath and howls with a universal plea to pay attention to the injuries imposed on the land and its people. I am honored to walk with her."
--Louise B. Halfe - Sky Dancer, author of The Crooked Good.
Noelle Schmidt plows through the distorted shrapnel of trauma dormant and still tingling.
Claimings and Other Wild Things is a brave debut poetry collection which delves into a catalog of personal struggle and identity, all the while inviting readers to imagine the "prophet in the dirty motel" or "the illusion of soft flesh giving way" or the pent up rage of a "boxed-up grenade sent round trip".
This is poetry of exactitude -- honest, at times tender, a collection which reminds us how life's obstacles inform the accruing intensity of being human in the twenty-first century.
Noelle Schmidt is a queer, non-binary poet. A graduate of Western University and a recipient of Alfred R. Poynt Award in Poetry, the Margeurite R. Dow Canadian Heritage Award and the Western Gold Medal. Their poetry can be found in Symposium, Frankenzine, Common Mag and Déraciné Magazine. Claimings and Other Wild Things is their debut collection. They live in Sudbury, Ontario with their partner and two cats.
Claimings And Other Wild Things is a beautiful and terrifying exploration of physicality and domesticity with diction so delicious and delightful, one almost forgets the haunting images it allows us to witness. Schmidt's poetry invites us to see body as nature; body as memory; body as machine; body as perpetrator; body as hiding place, a cage made of bones and ligaments. A chilling and impactful debut that demands remembrance.
Sydney Warner Brooman, author of The Pump
Schmidt's poetry is skilled, interrogating it's themes in terms of form and voice that hits to the bone and vibrates with life.
Matthew Walsh, author of These are not the potatoes of my youth, finalist for the Trillium Book Award for Poetry and Gerald Lampert Memorial Award
Claimings and Other Wild Things gets at the beautiful duality of language: the ways that words grasp for the octopus but come away with the ink. Schmidt's poems are incantations and conjurings that call up and inhabit bodies, histories, and landscapes. There is a great haunting happening here, but just when you feel yourself about to slip into the void, the poems touch back down to earth in the tender everyday of lives just trying to figure who and how to be in this world. In this wonderful and far-ranging debut, it is these intimate and honest moments that haunt me the most. More than anything, this collection just makes me grateful for poetry.
Tom Cull, author of Bad Animals
Claimings and Other Wild Things by Noelle Schmidt contains gorgeous lyrical pieces where a "stretch of ribs" are "unfurling petals to the sun" and where a "piano crawls impossibility out of a cereal box." Sometimes surreal, often bold with creative leaps, this is a vivid debut collection by an accomplished new poet.
Greg Santos, author of Ghost Face
What was beyond doubt by the time I got back was that a new Transfixion had arrived in the form of Hermia Druitt, the woman in this photograph. This was confirmed by the sensations: flashes from Arcadia. Moonlight, of a kind, sighed up and down the tube of my spine, but above all, that indescribable note which accompanied all my Transfixions was present: humming beneath the high fine rush--probably not dissimilar to holy rapture--was an almost violent familiarity. The feeling of not only recognising, but of having been recognised.
A new Transfixion.
Shola von Reinhold's lavish debut novel lays bare, through ornate, layered prose, the gaps and fault lines in the archive. Through obsessive research on an overlooked Black modernist poet, the narrator buckles under the vacuousness of the art world and also curates a queer historical scene, breaking it open and reveling in it. Originally published in the UK by Jacaranda as part of the Twenty in 2020 Black British writers series, LOTE won both the James Tait Black Prize and The Republic of Consciousness Prize in 2021.
Shola von Reinhold is a writer based in Glasgow, Scotland.
Listed on "20 Canadian books we can't wait to read in June" - CBC Books
There's something about projects of queer biographical recovery that tend towards fixity, towards foundations, toward literal correspondences ... LOTE doesn't fix, doesn't found, isn't literal. It shimmers, it slips, it extends.
- Anarchist Review of Books
Lote delights in satirizing contemporary arts culture and carving out a Black, queer perspective. Witty, gorgeous, and at times Gothic, it questions the lines between fantasy and obsession--and the boundaries of escapism.
- NUVO
von Reinhold celebrates embellishment, extravagance, and not only "feeling seen" but being placed centre stage - demanding to be perceived despite a social insistence to remain hidden.
- Montreal Review of Books
The novel is underpinned by a question: Why are so few queer Black British modernists documented in those flourishing interwar years? Through an impressive mix of scholarship and historical fiction, Reinhold sets out to unravel and challenge this history, prying open the ledgers to ask how and why the received archive is so overwhelmingly white.
- The White Review
The favored plot point of archival thievery suggests that the driving force of each recovery novel lies in a desire for the past that exceeds what is considered appropriate, professional, and even legal. For Mathilda, her Transfixions offer her a relationship with her predecessors that is more complicated than mainstream culture's fantasizing about the past.
- Full Stop
LOTE is a magical, revolutionary piece of writing.
- Frieze
An exhausted security guard dreams of home. A sculptor and a pothead have great sex -- in the shadow of wax ex-lovers. A diversity workshop devolves into a familiar nightmare.
Throughout this deadpan collection, determined, damned, and triumphant characters appear and reappear, and their links become clear over the course of the fragmented narrative. The author playfully traces the portrait of the intertwined lives of a group of Black queer and trans friends as they navigate the social violence, traumas, and contradictions of their circumstances.
Originally published in French in 2021 by les Éditions du remue-ménage, as part of the Martiales collection, the stories in Bah's The Rage Letters -- set in Montreal and beyond -- are sometimes brief, often conversational, and always generative of possibilities through the characters' desire, rage, and acts of rebellion.
Valérie Bah is a Tiohtià:ke-based filmmaker and writer whose work explores intergenerational trauma & healing, as well as mundane/radical acts of survival. Couched in magical realism, Val's narratives are driven by Black feminist thought and lived experience.
Kama La Mackerel is an educator, visual artist, performer, writer and translator who works between and across English, French and Mauritian Kreol. They are the author of the award-winning poetry collection ZOM-FAM (Metonymy Press) and have translated works by Canadian writers Vivek Shraya and Kai Cheng Thom. They have lectured, performed and exhibited their work internationally. Find them on social media @kamalamackerel
Press coverage for Les enragé.e.s and
"Les enragé.e.s describes, in a spirited language, the happy obstinacy of those who, despite setbacks, refuse to let their joy be diminished by the violence of a society that tolerates them only at the price of their silence or their obedience."
-- Le Devoir
"My intention was to write stories, construct riddles around liberation. How does someone in a very banal, realist scenario unlock something that gives them more space, or how [do] they get to see themselves in the front seat?" -- Valérie Bah, from an interview with Montreal Review of BooksAlso check out an excerpt in The Offing: https://theoffingmag.com/fiction/the-night-owls/
Ruth DyckFehderau has written two nonfiction books with James Bay Cree storytellers: The Sweet Bloods of Eeyou Istchee: Stories of Diabetes and the James Bay Cree (2017) and E Nâtamukh Miyeyimuwin: Residential School Recovery Stories of the James Bay Cree, Vol. 1 (forthcoming 2023). Her work has been translated into five languages and she has won many literary awards. She sometimes teaches Creative Writing and English Lit at the University of Alberta. She lives in Edmonton with her partner. She is hearing-impaired. This is her first novel.
Praise forI (Athena)
"Ruth Dyck Fehderau is a master in that beautiful art of the slow reveal. She has created in Athena a character I will not soon forget. Athena's story is fascinating and piercing, sometimes funny and sometimes utterly heart-rending; it is thoroughly researched and so well told. I read with wonder from the opening pages to the delightful final scene."
"As Athena breaks free from her stolen years, she's plunged into a world she must make sense of. By turns funny and heart shattering, rich with mesmerising detail and unsentimental prose, her journey is a profound exploration of what it means to be human."
--Fran Kimmel, author of The Shore Girl and No Good Asking
"In this harrowing, heartbreaking, and ultimately triumphant novel, Ruth DyckFehderau peels back the complex layers of identity and shows us, in moving, clear-eyed prose, how swiftly human rights can be stolen and how urgent is the fight to win them back."
--Frances Peck, author of The Broken Places
"A catastrophic misdiagnosis shunts a young life off the rails, leaving young Verity Blessure to waken, again and again, to worlds that profoundly mistake her. In I, Athena, Ruth DyckFehderau leads us on a memorable quest for human recognition and dignity through the eyes of the irrepressible Verity (Athena). A journey full of surprises, both wrenching and joyous, I, Athena also uncovers along the way the endlessly resourceful bonds of longing and belonging among the socially discarded and historically spurned, immersing us in a community that remains too often unseen, unheard, unwritten, to this day. A debut novel that on multiple levels reflects a triumph of informed empathy and imagination."
--Christine Wiesenthal, author of Instruments of Surrender and editor of The Collected Works of Pat Lowther
Forced intimacies, dead dogs, errant balloons, a troubled chef's encounter with ethereal Swedish lesbians, all form this remarkable short story collection, Bodies in Trouble, depicting characters coping with faltering relationships, simmering violence, and light-drenched visions. Stories of damaged daughters and abandoned sons, of near-crashes, lost loves, and late nights steeped in regret. Lurking within these tales is the glimmer of hope from a brave choice, a bold action, the recalibration of a dangerous path.
Diane Carley was longlisted for CBC's 2019 Short Story Contest and her work has been published in The Antigonish Review, The Fiddlehead, Riddle Fence, The New Quarterly, subTerrain, Other Voices, Release Any Words Stuck Inside You (RAWSIY) III, the Canadian Authors Association's Building Community anthology, and The Globe and Mail. She has also written and produced documentaries for CBC Radio. Diane lives in St. John's, Newfoundland.
Diane Carley's story collection Bodies in Trouble is full of characters in search of love, full of desire, and punishing, thwarted obsessions. There are wise children who are disappointed by their parents, chameleons, cupcakes and grief, there is humour and grit. These characters will give a bolt of recognition - they are you and me. Carley is a lean, strong writer - every word matters. She's the love child of Raymond Carver and Alice Munro, Sharp, sensitive, excellent stories full of emotion, like putting your hand over a racing heart. This writing is as vivid as it gets.
- Lisa Moore, author of This is How We Love
"Bodies in Trouble collects the details of love, change and personal turmoil into a cascade of stories that leave you bereft and hopeful all at once. With cool, taut prose, Diane Carley tells about lives of women and girls that are filled with desire, loss and transformation. This book is quietly tense and brutally human."
- Carmella Gray-Cosgrove, author of Nowadays and Lonelier
There is a rare honesty to the stories in Bodies in Trouble. Human failings aren't brushed into corners, they are pinpointed with a sharp and interrogating light. Diane Carley's writing explores relationships where economic and power disparities create disconnects between those that are meant to be allies. Her stories challenge the myth of unconditional familial love. There is a solid bravery to Carley's protagonists, women who revolt with quiet defiance, who persevere, and who live extraordinary lives in the guise of the ordinary. Carley's voice is distinct, queer, and true.
- Susie Taylor, author of Even Weirder Than Before