Poised between thoughts of mortality and an exquisite taste for the most tender, small details of life, the poems in Nostalgia for Moving Parts are whimsical, quirky, and resonant with memory. Deeply grounded in the rainy mists and green reeds of the Canadian west coast, solitude becomes a spiritual practice transmuting loneliness and loss into grand appreciations for the gift of childhood and the untravelled road ahead.
Diane Tucker is a poet, editor, fiction writer, and playwright from Vancouver, BC. Her work has been widely anthologized and published in more than seventy journals in Canada and abroad. Her first poetry collection, God on His Haunches (Nightwood Editions, 1996), was shortlisted for the Gerald Lampert Memorial Award. Nostalgia for Moving Parts is her fourth book of poems.
When Diane Tucker hangs up a payphone in Nostalgia for Moving Parts' title poem, she observes that 'there is (oh unexpected pleasure) a real click.' When she lays down to sleep: 'the prayers / that fight up through me make a sort of hum.' Click and hum. Nostalgia and prayer. What's been and what will always be. Nostalgia for Moving Parts reminds us how to hear and see the ephemeral in the eternal and the eternal in the ephemeral: the moving parts of all our lives.
--Rob Taylor, Strangers
Diane Tucker's gentle humour combines with a refreshing directness of language and a sharply observed sense of colour and texture. As she explores her own Vancouver background and memories, she meditates on the loss of her parents and her own ageing.
-- Christopher Levenson, Night Vision
In her second poetry collection, Joanne Epp ventures from open prairie roads into little creek beds, down onto the warm earth of strawberry patches and far afield to the busy markets of Cambodia to examine the intimate ways we come to know and experience place. With vivid detail and a sense of quiet reverence, Cattail Skyline captures a myriad of landscapes where every change of season and slant of light reveals something previously unnoticed, and where even the most well- trodden paths hold the potential for new discovery.
Born and raised in Saskatchewan, Joanne Epp spent several years in Ontario and now makes her home in Winnipeg with her husband and two sons. Currently she serves as assistant organist at St. Margaret's Anglican Church. Her poetry has appeared in journals-- The New Quarterly, The Antigonish Review, CV2, The Light Ekphrastic, and others -- and in one anthology. Cattail Skyline is her second poetry collection.
Cattail Skyline is a love song en plein air for the prairies, full of painterly seeing. The narrator returns to the landscape of her childhood, taking inventory of the ways it shaped her. Why return to the path? / Where else would you go?
--Monica Kidd, Chance Encounters with Wild Animals
What a gift these poems are in these troubled times. Each walk down the cemetery road is stirring, each journey by train or back to childhood truly moving in every sense. Exquisite at every turn and hauntingly precise, Cattail Skyline quietly measures the electricity of place, the rhythms of life, and what it means to return and remember. I feel as if my heart has been heard.
--Brenda Schmidt, Culverts Beneath the Narrow Road
Beginning with halcyon days cast in soft light and cool dew, onward through veiled years of diagnosis and environmental damage, Death Becomes Us captures, with masterful grace and restraint, the intensity of absence and the importance of grief. Within the darkest moments of personal and ecological loss, Kristen Wittman's second collection fashions a garden of love poems from memories of soft kisses and falling towers, a broken Eden where pain nurtures tender, blooming petals, and the ceaseless heartbeat of Mother Nature pulses underfoot, bringing forth every new dawn.
Kristen Wittman was born in Winnipeg and grew up on a farm west of Headingley. She received her law degree from the University of Manitoba and now practises at Taylor McCaffrey LLP in Winnipeg. Her poems have been published in CV2 and Crosswinds Poetry Journal, among others. Death Becomes Us is her second book.
In today's world, space is at a premium to accommodate humans, nature, and ideas, but what, exactly, occupies the vast psychic space of the Prairie landscape? In Postmodern Weather Report, Kristian Enright expertly weaves critical theory with playful poetics to suffuse this space with reflections on science, semantics, pop culture, philosophy, and a blossoming emergence into new cultural awareness for a contemporary age.
Kristian Enright's work has been shortlisted for the Matrix Magazine Litpop awards and for the Robert Kroetsch Award for Innovative Poetry. He has been featured in Juice, the University of Winnipeg's creative writing literary journal, five times, and is a long-time contributor to Winnipeg's cultural scene. Recently, he completed a Master's degree in creative literature at the University of Manitoba. Postmodern Weather Report is his second collection of poetry.
'How the hell...do you get into an accident...on a prairie field?' By reading Kristian Enright's new book. In Postmodern Weather Report Enright plays a "barb wire harp" with hammer-ons, loopiness and zeal to identify, dis-identify, re-identify, smudge, erase and reconstitute multiple possible and impossible objects in an entanglement that demolishes cause and effect in a radical dépaysement. The new book is a "collidescope", a vast pataphysical prairie tsunami, a 'damn burst" city of "owl drone", aphasia", "lunar toe-nail clippings", and "image madness pointing everywhere at once." For Enright there is no such thing as empty space; there is always a there "THERE", but "it will take time to make sense" and is filled with "speed bumps" as it deconstructs us and defamiliarizes the "object-if". Welcome to the weather report of the future.
--Brian Henderson author of Unidentified Poetic Object
Kristian Enright's Postmodern Weather Report is an ambitious work of poetry: a poet's book of poetry. Reading Enright's poetry is a consciousness-altering experience that a scholar could work on for a lifetime. Enright provides a "freshness of perspective" (36) on topics like climate change, the prairies, the urban environment, and deist theology. This work walks a tightrope of being joyous and playful, while being psychologically and theoretically complex. With this prairie poem collection, Enright can claim his rightful place among foundational Winnipeg poets like Dennis Cooley, Robert Kroetsch, and Deborah Schnitzer.
--Jamie Paris
From Flintabbaty Flonatin to Gimli's mighty Viking, the Glenboro camel to Morden's monstrous mosasaur, Meghan Kjartanson sets out to follow the stories of Manitoba's statues. Featuring over 60 sites of interest, Kjartanson charts an all-ages adventure tracking prairie giants, roadside attractions, and important landmarks, including fire hydrants and golf balls, sturgeons and sunflowers, and, of course, Manitoba's provincial "bird"--the mosquito. Explore the diverse characters and communities at the centre of Canada with this info-packed guide of hidden gems, fun facts, and larger-than-life legends and get to know Monumental Manitoba.
Meghan's Kjartanson's passion for rural storytelling started while writing for a rural Manitoba newspaper, where she often discovered untold places rich with history and culture. She turned this passion into Manitoba Landmarks - a podcast aimed at bringing Manitoba's quirky statues and monuments to life. Meghan's debut book, Monumental Manitoba collects these stories and more together with the hope people are encouraged to discover Manitoba in a different, colossal way. She grew up in Gillam, Manitoba and now lives in Winnipeg.