While Being Mortal (Atul Gawande) helped us understand disease and death, and Successful Aging (Daniel J. Levitin) showed us older years can be a time of joy and resilience, Happily Ever Older reveals how the right living arrangements can create a vibrancy that defies age or ability.

Reporter Moira Welsh has spent years investigating retirement homes and long-term care facilities and wants to tell the dangerous stories. Not the accounts of falls or bedsores or overmedication, but of seniors living with purpose and energy and love. Stories that could change the status quo.

Welsh takes readers across North America and into Europe on a whirlwind tour of facilities with novel approaches to community living, including a day program in a fake town out of the 1950s, a residence where seniors school their student roommates in beer pong, and an aging-in-place community in a forest where everyone seems to have a pet or a garden or both. The COVID-19 pandemic cruelly showed us that social isolation is debilitating, and Welsh tells stories of elders living with friendship, new and old, in their later years.

Happily Ever Older is a warm, inspiring blueprint for change, proof that instead of warehousing seniors, we can create a future with strong social connections and a reason to go on living.

Moira Welsh is an investigative journalist with the Toronto Star, Moira has co-authored investigations that have won three National Newspaper Awards and a Michener Award for Public Service Journalism. She was a finalist for the Justicia Award for Legal Reporting and the Canadian Hillman Prize. She started as a breaking news reporter and soon joined the investigative team where she has written on social justice, the environment, and the lives of people living in seniors’ homes. Moira lives in Toronto, Ontario, with her family.

The touching and nuanced portrait of the rise and fall of Nazi Germany through the eyes of a resourceful German boy.

Ludwig is an odd and introverted child, growing up in Hitler’s Germany. While Ludwig’s father, Wilhelm, is a senior Nazi and a true believer, Ludwig escapes the unfolding catastrophe by withdrawing into nature and books. Eventually, when the Allied bombing campaign intensifies, Ludwig is sent to a Hitler Youth camp, where his oddness makes him a target for bullying.

As the war turns against Germany, the Hitler Youth camp becomes ever more severe and militaristic, and the atmosphere spirals towards chaos. After the Nazis abandon the camp, Ludwig returns home, and his father is presumed dead. With Ludwig’s mother descending into depression, the 11-year-old bears increasing responsibility for the survival of the family as starvation sets in under Russian occupation. Soon, it will be impossible to leave the Russian zone, so Ludwig decides that he must rally his despondent mother and lead her and his three younger siblings in an escape attempt to the west.

Based on a true story, The Willow Wren is a unique, touching exploration of extremism, resilience, and the triumph of the small.

Bestselling author of The Accidental Veterinarian, Philipp Schott was born in Germany but grew up in Saskatoon. He now lives in Winnipeg where he practises veterinary medicine, writes, and shares an old house on the river with his wife, two teenagers, three cats, and a dog.

A savvy art world thriller with a strong, independent heroine and the follow-up to The Appraisal, finalist for the 2018 Staunch Prize.

Former Budapest cop Attila Feher would really like to see art expert Helena Marsh again, so he arranges a contract for her to determine whether a painting is a copy of a famous Artemisia Gentileschi canvas or the real thing. A simple appraisal becomes a dangerous assignment when usual eastern European gangsters show up and people start dying and the seething corruption that underlies the lost promise of post-Soviet Hungary swirls to the surface. In a race to get to the truth and to outwit her adversaries, Helena and Attila must solve the mystery of the painting’s origins.

Richly atmospheric, set in Strasbourg, Budapest, and Paris, this witty, sophisticated novel will satisfy readers of political thrillers by Alan Furst and Philip Kerr. Deceptions is a thinking-person’s thriller, a romp to the last satisfying page.

Anna Porter is the award-winning author of ten books. Her recent work includes the non-fiction In Other Words, How I Fell in Love with Canada One Book at a Time, and Buying a Better World, George Soros and Billionaire Philanthropy, and the mystery novel The Appraisal, the first Helena Marsh book. She co-founded Key Porter Books, an influential publishing house she ran for more than twenty years. In addition, she writes book reviews, opinion pieces, and stuff about Central Europe. She is an Officer of the Order of Canada and has received the Order of Ontario.

The 170-year history of the San Francisco Bay Area told through its crimes and how they intertwine with the city’s art, music, and politics

In The Murders That Made Us, the story of the San Francisco Bay Area unfolds through its most violent and depraved acts. From its earliest days when vigilantes hung perps from downtown buildings to the Zodiac Killer and the kidnapping of Patty Hearst, murder and mayhem have shaped the city into the political and economic force that she is today.

The Great 1906 Earthquake shook a city that was already teetering on the brink of a massive prostitution scandal. The Summer of Love ended with a pair of ghastly drug dealer slayings that sent Charles Manson packing for Los Angeles. The 1970s come crashing down with the double tragedy of Jonestown and the assassination of Gay icon Harvey Milk by an ex-cop. And the 21st Century rise of California Governor Gavin Newsom, Trump insider Kimberly Guilfoyle, and Vice President Kamala Harris is told through a brutal dog-mauling case and the absurdity called Fajitagate. It’s a 170-year saga of madness, corruption, and death revealed here one crime at a time.

Bob Calhoun is a San Francisco Bay Area author, journalist, and former punk wrestler and peepshow emcee. Since 2015, he has recounted his city’s most gruesome and lurid events in his regular SF Weekly column, “Yesterday’s Crimes.” His punk wrestling memoir, Beer, Blood & Cornmeal (ECW Press), is a national bestseller.

2023 Canada Reads Longlist Selection

National Bestseller

Winner of the 2019 OLA Forest of Reading Evergreen Award

Shortlisted for the 2019 John W. Campbell Memorial Award

Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award

2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick

January 2020 Reddit r/bookclub pick of the month

“This slow-burning thriller is also a powerful story of survival and will leave readers breathless.” — Publishers Weekly

“Rice seamlessly injects Anishinaabe language into the dialogue and creates a beautiful rendering of the natural world … This title will appeal to fans of literary science-fiction akin to Cormac McCarthy as well as to readers looking for a fresh voice in indigenous fiction.” — Booklist

A daring post-apocalyptic novel from a powerful rising literary voice

With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow.

The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision.

Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

Waubgeshig Rice is an author and journalist originally from Wasauksing First Nation. His first short story collection, Midnight Sweatlodge, was inspired by his experiences growing up in an Anishinaabe community and won an Independent Publishers Book Award in 2012. His debut novel, Legacy, followed in 2014. In 2014, he received the Anishinabek Nation’s Debwewin Citation for excellence in First Nation Storytelling. He now splits his time between Sudbury and Wasauksing.

From martyr to insult, how “Uncle Tom” has influenced two centuries of racial politics.

Jackie Robinson, President Barack Obama, Supreme Court Justice Clarence Thomas, O.J. Simpson and Christopher Darden have all been accused of being an Uncle Tom during their careers. How, why, and with what consequences for our society did Uncle Tom morph first into a servile old man and then to a racial epithet hurled at African American men deemed, by other Black people, to have betrayed their race?

Uncle Tom, the eponymous figure in Harriet Beecher Stowe’s sentimental anti-slavery novel, Uncle Tom’s Cabin, was a loyal Christian who died a martyr’s death. But soon after the best-selling novel appeared, theatre troupes across North America and Europe transformed Stowe’s story into minstrel shows featuring white men in blackface. In Uncle, Cheryl Thompson traces Tom’s journey from literary character to racial trope. She explores how Uncle Tom came to be and exposes the relentless reworking of Uncle Tom into a nostalgic, racial metaphor with the power to shape how we see Black men, a distortion visible in everything from Uncle Ben and Rastus The Cream of Wheat chef to Shirley Temple and Bill “Bojangles” Robinson to Bill Cosby.

In Donald Trump’s post-truth America, where nostalgia is used as a political tool to rewrite history, Uncle makes the case for why understanding the production of racial stereotypes matters more than ever before.

Cheryl Thompson is an Assistant Professor at Ryerson University in the School of Creative Industries. She is author of Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture . She previously held a Banting postdoctoral fellowship at the University of Toronto. Her work has appeared in The Conversation, Toronto Star, Montreal Gazette, Spacing, Herizons Magazine, Halifax Coast, and Rabble.ca . She was born and raised in Toronto, where she currently resides. She has also lived in the United States.

Kicking ass and taking notes—what it’s like to be a woman in the ring.

Alison Dean teaches English literature. She also punches people. Hard. But despite several amateur fights under her belt, she knows she will never be taken as seriously as a male boxer. “You punch like a girl” still isn’t a compliment — women aren’t supposed to choose to participate in violence.

Her unique perspective as a 30-something university lecturer turned amateur fighter allows Dean to articulately and with great insight delve into the ways martial arts can change a person’s — and particularly a woman’s — relationship to their body and to the world around them, and at the same time considers the ways in which women might change martial arts.

Combining historical research, anecdotal experience, and interviews with coaches and fighters, Seconds Out explores our culture’s relationship with violence, and particularly with violence practiced by women.

"An important addition to women’s martial arts scholarship, Dean provides personal insight into the radical space women occupy in sport fighting. Seconds Out is a must-read for all fighters looking for mentors in the complicated world of martial arts." —L.A. Jennings, author of Mixed Martial Arts: A History from Ancient Fighting Sports to the UFC

"Dean brings a fresh new female voice to the topic of combat sports." —Trevor Wittman, renowned MMA trainer, UFC analyst, and founder of ONX Sports

"Trained in the discipline and art of both fighting and literature, Dean combines both with style. She honors the fighters, writers, and historians who have come before her and definitively ends the idea of women fighters as a novelty. Seconds Out is a must-read for anyone who feels the call of the bell and reverence for a good fight." —Sue Jaye Johnson

Alison Dean is a lecturer in English Literature and Histories of Photography. Alison has a PhD in English from Simon Fraser University and she is an alumna of the School for Criticism & Theory at Cornell University and the Whitney Museum of Modern Art Independent Study Program. Her academic research focuses on the politics of portraiture and the portrait's opposite - images of atrocity and torture. Alison currently trains and competes in kickboxing andboxing. She has a bad habit of dropping her left hand and her best punch is a straight right.

Shortlisted for the ReLit 2022 Poetry Award

Smart, raunchy poems that are sorry-not-sorry.

One minute she’s drying her underwear on the corner of your mirror, the next she’s asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny, brutally honest, and alarmingly perceptive, Molly Cross-Blanchard’s poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen, to tell you the worst things about herself in hopes that you’ll still like her by the end.

“Sticky, sad, and sultry, Exhibitionist is a merry-go-round circling back to the tender, awkward parts of ourselves. Molly Cross-Blanchard allows her poems to ask the reader out for ice cream, to fart at a dinner party, to sprawl out on a chaise lounge, stare through a dusty skylight and whisper that they think they may love you. And that love will be unmistakably mutual.” —Mallory Tater, author of The Birth Yard and This Will Be Good

“Multiple orgasms appear in the first line of the first poem in Exhibitionist. Multiple orgasms, as a relative image or a practice, elicit everything from mystical worship to moral panic. Molly Cross-Blanchard understands this diametric power. She nods to this power with countless crisp and explicit images throughout her debut collection. Read her poems first to marvel at the well-crafted voicing of sexuality. Read a second time to appreciate Cross-Blanchard’s beautiful charge of juxtaposition. Again and again, she places the erotic beside mundane so that both are transformed — a dirty basement carpet becomes the backdrop of profound intimacy and gas station coffee acts as a symbol of self-discovery.” –Amber Dawn, author of My Art is Killing Me and Sodom Road Exit

"If this book had a fragrance, it'd be a Britney perfume, any one of them really, but with hints of prairie in the dry late-summer, notes of the sweet ocean smell that passes through Vancouver when the wind gets high, and a fabulous pair of overalls.” —Katherena Vermette, author of River Woman and The Break

Molly Cross-Blanchard is a Metis writer and editor born on Treaty 3 territory (Fort Frances, ON), raised on Treaty 6 territory (Prince Albert, SK), and living on the unceded territory of the Musqueam, Squamish, and Tsleil-Waututh peoples (Vancouver, BC). She holds an English BA from the University of Winnipeg and a Creative Writing MFA from the University of British Columbia, and is the Publisher at Room Magazine .

Away From Her meets Strangers on a Train in this follow-up to cult bestseller And the Birds Rained Down

After And The Birds Rained Down, a stunning meditation on aging and freedom, Jocelyne Saucier is back with her unique outlook on self-determination in this unsettling story about a woman’s disappearance.

Gladys might look old and frail, but she is determined to finish her life on her own terms. And so, one September morning, she leaves Swastika, her home of the past fifty years, and hops on the Northlander train, eager to put thousands of miles of northern Quebec between her and the improbably named village, and leaving behind her perennially tormented daughter, Lisana.

Our mysterious narrator, who is documenting these disappearing northern trains, is eager to uncover the truth of Gladys’s voyage, tracking down fellow passengers and train employees for years to learn what happened to Gladys and her daughter, and why.

Jocelyne Saucier was born in New Brunswick and lives in Abitibi, Quebec. Two of her previous novels, La vie comme une image ( House of Sighs ) and Jeanne sur les routes ( Jeanne's Road ) were finalists for the Governor General's Award. Il pleuvait des oiseaux ( And the Birds Rained Down ) garnered her the Prix des Cinq continents de la Francophonie, making her the first Canadian to win the award. The book was a CBC Canada Reads Selection in 2015. Rhonda Mullins is a Montreal-based translator who has translated many books from French into English, including Jocelyne Saucier's And Miles To Go Before I Sleep, Gregoire Courtois' The Laws of the Skies, Dominique Fortier's Paper Houses, and Anais Barbeau-Lavalette's Suzanne. She is a seven-time finalist for the Governor General's Literary Award for Translation, winning the award in 2015 for her translation of Jocelyne Saucier's Twenty-One Cardinals. Novels she has translated were contenders for CBC Canada Reads in 2015 and 2019 and one was a finalist for the 2018 Best Translated Book Award. Mullins was the inaugural literary translator in residence at Concordia University in 2018. She is a mentor to emerging translators in the Banff International Literary Translation Program.

SHORTLISTED FOR THE RELIT 2022 NOVEL AWARD

A joy ride set on a crash course with the past.

Audrey Cole has always loved to drive. Anytime, anywhere, any car: a questionable rustbucket, a family sedan, the SUV she was paid to drive around the oil fields. From the second she learned to drive, she’s always found a way to hit the road.

Years ago, when she abandoned her oil field job, she found herself chauffeuring around the Lever Men, a B-list band relegated to playing empty dive bars in far-flung towns. That’s how she found herself at the Crash Palace, an isolated lodge outside the big city where people pay to party in the wilderness.

And now, one night, while her young daughter is asleep at home, Audrey is struck by that old urge and finds herself testing the doors of parked cars in her neighbourhood. Before she knows it, she’s headed north in the dead of winter to the now abandoned Crash Palace in a stolen car, unable to stop herself from confronting her past

The Crash Palace is a funny, moving, and surprising novel by the author of the Amazon First Novel Award–nominated The Milk Chicken Bomb. Audrey is unlike any character you’ve met before, and you'll love being along for the ride.

Andrew Wedderburn is a writer and musician from Okotoks, Alberta. He graduated from the University of Calgary in 2001. His stories have been published by filling Station and Alberta Views Magazines . His debut novel, The Milk Chicken Bomb, was published by Coach House Books in 2007. In 2008 it was a finalist for the Amazon / Books in Canada First Novel Award, and long-listed for the International IMPAC Dublin Literary Award. As a musician and songwriter Wedderburn has written, recorded and toured extensively in the groups Hot Little Rocket and Night Committee, releasing seven full-length albums over the last two decades. Andrew Wedderburn currently resides in Okotoks, AB.