Finalist, International Book Award for Multicultural Fiction.

These twelve short stories dive deep into imaginary worlds where everyday life is marked and marred by war. They speak of wounded love, captured women, confinement, talismans, borders, wolves. They give expression to the voices of Afghan women who would like to change the fate of people like Nâzboo, Khorshid, Hamid and so many others.

Originally published by Éditions Le Soupirail in 2019, this collection was the first volume of short stories by Afghan women to appear in France. This edition from Inanna Publications brings these stories-and their unique perspectives-to English-speaking readers for the first time. The collection includes stories by Wasima Badghisi, Batool Haidari, Alia Ataee, Sedighe Kazemi, Khaleda Khorsand, Masouma Kawsari, Mariam Mahboob, Toorpekai Qayum, Manizha Bakhtari, Homeira Qaderi, Parween Pazhwak and Homayra Rafat.

A native of Toronto now living in Victoria, Elaine Kennedy studied English literature, French language and civilization, as well as translation in North America and Europe. She has worked as a translator and editor in numerous fields. Today, she focuses on literary translation.

Modern Home Winemaking describes the process of making flawless wine, consistently, from crush to bottle, using modern techniques and the latest products. Making wine is not only about fermenting juice into wine; this book details the many other processes involved in making outstanding wine--wines that will win medals at competitions.

Daniel Pambianchi is a well-known winemaking author, lecturer, consultant, and seasoned winemaker, both as an amateur and professional, having owned and operated a small commercial winery in Niagara Wine Country in Ontario, Canada. His bestselling book Techniques in Home Winemaking has become the go-to reference textbook by advanced amateurs and small-winery operators alike. His area of expertise is wine chemistry, in which he performs extensive studies in his wine analysis lab. He is a member of the American Society for Enology and Viticulture.

Mallory Amirault's debut collection Brine is an ambitious land-metaphor; merging history and imagination, it's a work of poetry that doubles as a prose novel. Subtly unfolding character-led intimacies, it acts as an interruption to long-standing Maritime coloniality. Amirault describes Brine as an aboiteau at the shoreline of a colonial event. Engaging the elemental and political act of arriving and departing, the story is a mechanism that slowly removes salt from the Maritimes, and points to say ?wound.?

Born in Nova Scotia, Mi?kma?ki, Mallory Amirault is an artist whose Acadian and Mi?kmaq heritage belongs to the Kespukwitk district of Yarmouth, otherwise known as the lobster's ass when referring to the province. Their artistic practice engages in critical poetics, literary performance, and humour. As a person enmeshed in the legacy of colonization and cultural diaspora in the Maritimes, they think, read and write about the idiosyncrasies of belonging and identity, and memory as a palimpsest. They currently live alongside the Halfway River, a tributary that flows into the Minas Basin, an inlet of the Bay of Fundy.

Go Down Odawa Way is a poetry collection that explores the physical, historical, and cultural spaces that make up the southwestern traditional territory of the Three Fires Confederacy. This is the region currently inhabited by southwestern Ontario and southeastern Michigan. Individual poems and sections of this collection explore the documented villages, history, and mythologies of the Odawa, Ojibway, Huron/Wendat, and Pottawatomi nations that were lost to the process of colonization and relocation. The project speaks to the history of the region that predates contemporary Canadian and American borders and namings as well as carves out a history that extends back past the mere couple of centuries of European colonization. The narrative focal point of the pieces find their roots in the traditional Lenape vantage point of the author and seeks to draw on the experiences of a modern day urban Indian in connection with the manner that land has changed with non-Indigenous settlement and those that inhabit it.

D.A. Lockhart is the author of seven collections of poetry, including Devil in the Woods (Brick Books 2019) and Tukhone: Where the River Narrows and the Shores Bend (Black Moss Press 2020). His work has appeared in Best Canadian Poetry in English 2019, TriQuarterly, ARC Poetry Magazine, Grain, Belt, and the Malahat Review among many. He is a Turtle Clan member of Eelünaapéewi Lahkéewiit (Lenape), a registered member of the Moravian of the Thames First Nation, and currently resides at the south shore of Waawiiyaatanong (Windsor,ON-Detroit, MI) and Pelee Island.