Poet, playwright, and librarian, E´va Circe´-Co^te´ was a prolific journalist writing for progressive newspapers under a number of pseudonyms. As a feminist and a freethinker who fought for equality and secularism, she offers a non-conformist perspective on Quebec society and politics in the first four decades of the twentieth century.
Freethinker is translated from the 2011 Clio prize winner, E´va Circe´-Co^te´, libre penseuse, 1871–1949.
Lazer Lederhendler is a full-time freelance translator specializing in contemporary Québécois fiction and nonfiction. His work has earned him literary distinctions in Canada and abroad, including multiple nominations for the Governor General’s Literary Award, which he won in 2008 for the translation of Nikolski by Nicolas Dickner. Lederhendler is also a three-time winner of the Cole Foundation Prize for Translation awarded by the Quebec Writers’ Federation. His translation of the novel Malabourg by Perrine Leblanc is forthcoming from the House of Anansi later this year. Lazer Lederhendler lives in Montreal.
How did a social movement evolve from a small group of young radicals to the incorporation of LGBTQ communities into full citizenship on the model of Canadian multiculturalism?
Tim McCaskell contextualizes his work in gay, queer, and AIDS activism in Toronto from 1974 to 2014 within the shift from the Keynesian welfare state of the 1970s to the neoliberal economy of the new millennium. A shift that saw sexuality —once tightly regulated by conservative institutions—become an economic driver of late capitalism, and sexual minorities celebrated as a niche market. But even as it promoted legal equality, this shift increased disparity and social inequality. Today, the glue of sexual identity strains to hold together a community ever more fractured along lines of class, race, ethnicity, and gender; the celebration of LGBTQ inclusion pinkwashes injustice at home and abroad.
Queer Progress tries to make sense of this transformation by narrating the complexities and contradictions of forty years of queer politics in Canada’s largest city.
From 1974 to 1986 Tim McCaskell was a member of the collective that ran The Body Politic, Canada’s iconic gay liberation journal. He was a founding member of AIDS ACTION NOW!, and a spokesperson for Queers Against Israeli Apartheid. He is the author of Race to Equity: Disrupting Educational Inequality.
“Change a few names, places, and organizations, and most development professionals will recognize their colleagues and field acquaintances in the colourful cast of characters Claessens weaves into his narrative about the vagaries of international development work. This engagingly written insider story is a must-read for those who may never visit the field themselves, but who are ardent consumers of international development marketing spin—the kind of spin used to raise funds to pay for more of the same kinds of blunders that Claessens documents.”
Chosen as a Quill & Quire favourite release of the year!
The fastest 500-pages of non-fiction I’ve read in a long time. Tim McCaskell goes beyond a historical or theoretical account of the strange transformation that characterize queer politics in Canada, and actually teases out the mechanics of those changes. He grounds his thorough breakdown of these movements with playful anecdotes and clear, concise political analysis.
“This is a sobering, painful, and often humorous chronicle, which brutally questions the business of externally imposed “development” with scant attention to cooperation in Africa and elsewhere. This is not a book to read and put away. Every line matters and demands action.”
“Jacques Claessens gives us an insider’s rich account of how “international development” actually works or, often, fails to work. With humor and colorful anecdotes, Claessens shows how the lack of real consultation can squander funds and opportunities, leaving little behind. This is a must-read for anyone interested in the genuine advancement of the world’s poor.”
Queer Progress is an essential book, one I would especially recommend to American readers, who – dare I say it? – are often incapable of seeing past their own borders.
Writing for Maclean’s magazine in 1965, Peter Gzowski saw something different about the new generation of the left. They were not the agrarian radicals of old. They did not meet in union halls. Nor were they like the Beatniks that Gzowski had rubbed shoulders with in college. “The radicals of the New Left … differ from their predecessors not only in the degree of their protest but in its kind. They are a new breed.” Members of the New Left placed the ideals of self-determination and community at the core of their politics. As with all leftists, they sought to transcend capitalism. But in contrast to older formations, New Leftists emphasized solidarity with national liberation movements challenging imperialism around the world. They took up organizational forms that anticipated—in their direct, grassroots, community-based democracy—the liberated world of the future. Radical Ambition is the first book to explore the history of this dynamic movement and reveal the substantial social changes it won for the people of Toronto.
Peter Graham is an independent researcher and sessional instructor at McMaster University. His work examines municipal politics and the role of the left in Canada.
Ian McKay is the L.R. Wilson Chair in Canadian History at McMaster University and the author of the award-winning Reasoning Otherwise: Leftists and the People’s Enlightenment in Canada, 1890–1920 and the co-author of Warrior Nation: Rebranding Canada in the Age of Anxiety.
Exhaustively researched and engagingly written, Radical Ambition gives a lively description and penetrating analysis of virtually every significant episode and group involved in the Toronto New Left’s historic and diverse movement of radical resistance—a movement with a legacy that resonates still. For those who were there it is enlightening. For those who were not, it will be inspirational.
“Radical Ambition’s phenomenal evocation of the dynamic and tumultuous New Left in Toronto in the last great wave of radicalization, and its assessments of the dead ends and enduring legacies of that time, provide extraordinary insight into what can be re-imagined and reworked into a politics for today.”
“Sweeping in scope and meticulous in detail, Radical Ambition tells the complex, passion-filled story of Toronto’s New Left from its initial stirrings in the late 1950s to its “long, ambiguous goodbye” in the early 1980s. These pages suggest that a host of lessons, both positive and negative, can be drawn from the experience of tens of thousands who envisioned and fought for a changed metropolis in a changed world.”
“What a remarkable book in terms of its depth and breadth. It captures the tenor, tone and tensions of radical Toronto politics with its local, national and international permutations; and in relation to socialism, gender, race, class, sexuality. This textured and layered study captures the radical spirit of the sixties through to the eighties, shattering the myth of Canadian innocence while making a unique contribution to global radical history, documenting a sense of hope and resistance at a time when a radical shift in the practice of politics is in dire need.”
“This is a wonderfully told tale of youthful energy, bottomless commitment, amazing creativity, and bold challenges to all aspects of social, cultural, and political life—a story that badly needed to be told. Impressively researched and beautifully written, it brings to life the aspirations of a passionate generation of activists and the remarkable impact they had. A brilliant and fascinating reconstruction of one of the richest periods in political ferment in Canadian history.”
“Graham and McKay deliver a superb and comprehensive overview of the Toronto New Left in the long 1960s. Like similar moments in the 1880s and the 1930s, the 1960s represented a high point of anti-capitalist struggle with innovative forms of resistance which rippled through Canadian society and culture. From the early anti-nuclear, civil rights, student, and anti-war movements to the new Trotskyist and Maoist formations, the fight for the environment, and the emergence of Black, Indigenous, women’s, and gay liberation movements, the New Left experience still resonates with a re-emergent socialist politics.”
“Graham and McKay bring the period’s activists to life and manage to balance the numerous political differences and “lines of demarcation” insightfully. The authors analyse not only political organizations—from the Waffle/NDP to the Maoist party formations—but also the various municipal struggles around expressways and education, the anti-war movement, as well as the movements around identity and sexuality. It even includes an account of the cultural left, a topic often overlooked in political histories. One of a new crop of engaging Toronto histories coming out of BTL. Local and world class. History otherwise.”
“Anyone investigating the global New Left should pay close attention to Radical Ambition.”
Toronto’s Poor reveals the long and too often forgotten history of poor people’s resistance. It details how people without housing, people living in poverty, and unemployed people have struggled to survive and secure food and shelter in the wake of the many panics, downturns, recessions, and depressions that punctuate the years from the 1830s to the present.
Written by a historian of the working class and a poor people’s activist, this is a rebellious book that links past and present in an almost two-hundred year story of struggle and resistance. It is about men, women, and children relegated to lives of desperation by an uncaring system, and how they have refused to be defeated. In that refusal, and in winning better conditions for themselves, Toronto’s poor create the possibility of a new kind of society, one ordered not by acquisition and individual advance, but by appreciations of collective rights and responsibilities.
Bryan D. Palmer was the Trent University Canada Research Chair (2001-2015), and currently chairs the Department of Canadian Studies.
Gaétan Héroux is a long time anti-poverty activist with the Ontario Coalition Against Poverty.
Frances Fox Piven is on the faculty of the Graduate Center of the City University of New York. She is the author, most recently, of Challenging Authority: How Ordinary People Change America.
Shortlisted for the 2021 International Booker Prize
Longlisted for the National Book Awards: Translated Literature
Longlisted for the 2021 Baillie Gifford Prize
Winner of the 2018 Bolshaya Kniga Award
Winner of the 2019 NOS Literature Prize
An exciting contemporary Russian writer explores terra incognita: the still-living margins of history.
With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century.
In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities, offering an entirely new and bold exploration of cultural and personal memory.
Maria Stepanova, born in Moscow in 1972, is one of the most powerful and distinctive voices of Russia's first post-Soviet literary generation. An award-winning poet and prose writer, essayist, and journalist, Stepanova is the author of ten poetry collections and three books of essays. Her poems have been translated into numerous languages including English, Italian, German, French, and Hebrew. She has received several Russian and international literary awards, including the prestigious Andrey Bely Prize and Joseph Brodsky Fellowship. Her novel, In Memory of Memory, is a documentary novel that has been published in over 20 territories. It won the 2018 Bolshaya Kniga Award, an annual Russian literary prize presented for the best book of Russian prose, and the 2019 NOS Literature Prize. Stepanova is the founder and Editor-in-Chief of the online independent crowd-sourced journal, Colta, which covers the cultural, social and political reality of contemporary Russia, reaching audiences of nearly a million visitors a month.
Poet, writer, and translator Sasha Dugdale was born in Sussex, England. She has published five collections of poems with Carcanet Press, most recently Deformations, shortlisted for the T.S. Eliot Prize 2020, and an Observer Book of the Year 2020. She won the Forward Prize for Best Single Poem in 2016 and in 2017 she was awarded a Cholmondeley Prize for Poetry. She is former editor of Modern Poetry in Translation and is Poet-in-Residence at St John's College, Cambridge (2018-2021).
"[Stepanova is] a writer who will likely be spoken about in the same breath as Poland's Olga Tokarczuk and Belarus's Svetlana Alexievich in years to come... 2021 is the year of Stepanova." —The Guardian
"A remarkable work of the imagination—and, yes, memory." —Kirkus Review
"Stepanova's finely crafted debut follows a woman's lifelong efforts to better understand her ancestors, Russian Jews whose stories fascinated her as a child growing up in the Soviet Union." —Publishers Weekly
"The hybrid book that Ms. Stepanova has finally produced presents gleanings from her family archives alongside the labyrinthine narrative of her 'search for the past,' which she concedes is incomplete and in many ways unsuccessful. And amidst the personal artifacts are essay-like meditations on the tensions that inhere within any act of remembrance. The result is a rich, digressive, deeply introspective work." —Wall Street Journal
"[A] daring combination of family history and roving cultural analysis… a kaleidoscopic, time-shuffling look at one family of Russian Jews throughout a fiercely eventful century." —The New York Times
"A luminous, rigorous, and mesmerizing interrogation of the relationship between personal history, family history, and capital-H History. I couldn't put it down; it felt sort of like watching a hypnotic YouTube unboxing-video of the gift-and-burden that is the twentieth century. In Memory of Memory has that trick of feeling both completely original and already classic, and I confidently expect this translation to bring Maria Stepanova a rabid American fan base on the order of the one she already enjoys in Russia." —Elif Batuman, author of The Idiot, finalist for the Pulizter Prize for Fiction
"Dazzling erudition and deep empathy come together in Maria Stepanova's profound engagement with the power and potential of memory, the mother of all muses. An exploration of the vast field between reminiscence and remembrance, In Memory of Memory is a poetic appraisal of the ways the stories of others are the fabric of our history." —Esther Kinsky, author of Grove
"A book to plunge into. 'Everyone else's ancestors had taken part in history' writes Stepanova; building itself via accumulation, these chapters become an important testimony to the cultural and political lives of the people held beneath the surface of the tides of history" —Andrew McMillan, author of Playtime
"There is simply no book in contemporary Russian literature like In Memory of Memory. A microcosm all its own, it is an inimitable journey through a family history which, as the reader quickly realizes, becomes a much larger quest than yet another captivating family narrative. Why? Because it asks us if history can be examined at all, yes, but does so with incredible lyricism and fearlessness. Because Stepanova teaches us to find beauty where no one else sees it. Because Stepanova teaches us to show tenderness towards the tiny, awkward, missed details of our beautiful private lives. Because she shows us that in the end our hidden strangeness is what makes us human. This, I think, is what makes her a truly major European writer. I am especially grateful to Sasha Dugdale for her precise and flawless translation which makes this book such a joy to read in English. This is a voice to live with." —Ilya Kaminsky, author of Deaf Republic
The Absence of Zero is a triumphantly-executed celebration of the long poem tradition. Consisting of 256 16-line quartets, and 34 free-form interruptions, this slow-moving haunting work is a beautiful example of thinking in language, a meditation that explores time and memory in both content and form. The 20th century is already more than 20 years past: The Absence of Zero is Kolewe's elegy to that era, and the disparate fragments of its ideas that continue to affect and disrupt our present.
R. Kolewe was born in Montreal and lives in Toronto. Educated in physics and engineering at the University of Toronto, he pursued a successful career in the software industry for many years. He now lives in Toronto, and writes full time. His work has appeared online at ditch, e-ratio, The Puritan, and (parenthetical), as well as in the Literary Review of Canada and PRISM International. He is the author of two previous poetry collections, including Afterletters (Book*hug Press, 2014) and Inspecting Nostalgia (2017).
"The interiors of R. Kolewe's epic poem The Absence of Zero, are anything but ... observance upon observance then another, continuous action … past and continuing, teeter, falter, tick by, lob between thoughts, threads, memories, what is, what was, what might befall, or. "Read again. Nothing beautiful." and absolutely absorbing, returning again and again to this place, this street, this window, this room. Know that once you enter, there is no going back. The presence of absence, all too familiar, begins to read, occupy you. It's a glorious achievement. Prepare to be mesmerized." —Kirby, author of Poetry is Queer
"R. Kolewe's The Absence of Zero is a daring, daily progression that depends upon return as palimpsest. Call it what it is. Gorgeous. Steadfastly urgent. Patient as dawn." —Margaret Christakos, author of charger and Dear Birch
“The echo of phrases repeating, shifted into different contexts, allow for a shifting, and even fluid, perception…This really is a remarkable book.” —periodicities
Mel Buckworth, dependable family man, loses his manufacturing job through recession. Having lost his sense of purpose his pride sidelines him as he discerns his lack of digital skills so apparent in his children’s generation. He is galled by his daughter Dani’s university friend, Stanley Best, who is about to achieve fame in the fields of nano technology and artificial intelligence. As Mel desperately attempts to find equilibrium he estranges his family, leaves his wife and enlists the help of a greedy grad student. Will Baker teaches Mel the skills he will need to wreak revenge on a system seemingly discarding him. As his aptitudes grow he begins to use the internet, the very thing he despised, as a weapon to inflict his reprisals. Slowly he turns terrorist to deliver his message: that humans will succumb to machines and the social system controlling them. As his acts grow more lethal, Mel knows he must make an indelible declaration. A “manifesto” to be remembered.
Once a teacher, theatre director and adjudicator, Brian Van Norman left those worlds behind to travel the planet with his wife, Susan, and take up writing as a full time pursuit. With four novels currently on the market: The Betrayal Path, Immortal Water, Against the Machine: Luddites and Against the Machine: Manifesto. Against the Machine: Evolution is the third book in this trilogy. He has journeyed to every continent and sailed nearly every sea on the planet. His base is Waterloo, Ontario, Canada though he is seldom found there but for this year of the Covid pandemic.
In Against the Machine: Manifesto, Brian Van Norman interlaces some unexpected threads. His protagonist Mel Buckworth loses his long-time industrial job, while the “winners” seem to be those riding the new cybernetics waves. Van Norman raises questions about the nature of work, the effects of our wired world on the human psyche, and the ways in which people both love and hurt each other. Well worth reading.
Against the Machine: Manifesto Van Norman’s diligence and dedication to detail has created a tour de force exceedingly well crafted and exhibiting an astonishing insight into the intricacies of people’s minds and human nature.
An inspired concept by author Brian Van Norman. Takes his fascinating and insightful study of the Luddite movement of 19th century England, Against the Machine: Luddites, and relocates the revolution to contemporary Canada in the sequel Against the Machine: Manifesto. Computers against the common man. A battle for survival.
In the second book by Van Norman (and one hopes this will be a trilogy) the battle of man against machine is played out in Waterloo Region where Mel Buckworth, a modern-day Everyman, is replaced by the onslaught of technology. This book is a fascinating study of why mankind needs to remain in control of his own designs.
Van Norman’s Manifesto is so richly detailed with all of the descriptions so vivid that we are unwittingly taken outside of ourselves and magically transported to a different time and place. Find here, in the pages of Manifesto the struggle of man against machine against man. The past raging against the present will surely define the future. You’re invited.
Interesting and thought-provoking, exploring issues around technology’s impact on society while at the same time offering a suspenseful narrative.
Once a teacher, theatre director and adjudicator, Brian Van Norman left those worlds behind to travel the planet with his wife, Susan, and take up writing as a full time pursuit. With four novels currently on the market: The Betrayal Path, Immortal Water, Against the Machine: Luddites and Against the Machine: Manifesto. Against the Machine: Evolution is the third book in this trilogy. He has journeyed to every continent and sailed nearly every sea on the planet. His base is Waterloo, Ontario, Canada though he is seldom found there but for this year of the Covid pandemic.
Against the Machine: Luddites challenged my preconception of historical fiction novels and has emerged triumphant. Brian Van Norman has, without doubt, opened my eyes to a genre that hitherto I was predisposed to overlook. It is a skilfully crafted saga based closely upon events and people in Yorkshire, England, in 1812, full of twists and turns. Right from the first line, “It was snowing indoors.” it grabs your attention and won’t let go.
Long-listed for the 2022 Leacock Medal for Humour
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime. As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Eurasian history. Call Me Stan is the story of a man endlessly struggling to adjust as the world keeps changing around him. It is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love. Or almost everyone.
K.R. Wilson was born in Calgary in 1958. He has a bachelor’s degree in music (BMus) from the University of Calgary, with a major in theory and composition. He also has a law degree (LLB). He lives in the Toronto area with his wife and daughter. He has been, among other things, a music teacher, a delivery truck driver, and an office supplies salesman. He sings in a fine 100-voice concert choir. He likes British television, unreliable narrators, and avant garde music.
Call Me Stan is a ludicrous epic and a tender-hearted romp—an easy-reading humanist adventure that feels as if Monty Python rewrote Virginia Woolf's Orlando.
Wilson’s latest is great for readers of historical fiction, especially ancient military fiction, or those who prefer character driven stories. Good for fans of Bernard Cornwell, Ken Follett, and Robert Harris.
A father comes out to his daughter as a woman. Or at least, he was once a woman. It's complicated. Funny. Painful. Eventually joyful. Meanwhile the daughter, who was adopted, has her own identity issues. At the Aboriginal addictions treatment centre where she works, everyone assumes she is Indigenous. But is she? How can she find out? Cardinal Divide explores the hunger for certainty and the mutability of identity, whether of gender, race or sexuality. Authenticity isn't simple. Acting as somebody else is simultaneously a way to deceive and to explore the world. Characters who pass as male, as white, as straight, straddle the cardinal divides. And then, sometimes, passing is becoming.
Nina Newington’s first novel, Where Bones Dance, won the Writers’ Guild of Alberta Georges Bugnet Award in 2008. A former Kennedy scholar with an MA from Cambridge, she makes her living designing gardens and building things. English by birth, she and her American wife immigrated to Canada in 2006. They raise sheep on unceded Mi’kmaw territory near the Bay of Fundy in Nova Scotia.
An intricate, compelling tale narrated by a woman providing help and support to those who have lost their way, even while she unravels the mysteries of her own path through life. Cardinal Divide illuminates how the relationships we form throughout our lives transcend our cultural and sexual identities. This is a tale that topples our categorical assumptions about others, forcing us to ponder who we are and how we define ourselves.
By fusing the stories of Dreamcatcher Lodge and Ben’s story of arrival and change, the text breathes new life into narratives of settler/Indigenous encounters and histories. Ben’s story and sense of identity as non-binary is understood as Two-Spirit, which is a reframing of queerness through Indigenous epistemologies. The Cardinal Divide in the foothills of the Rockies serves as an evocative metaphor for the co-mingling of stories and histories.