BELOVED HOUSE AUTHOR. Everything I Never Told You was a great Penguin story for 2014-2015. To date, we have sold almost 600,000 copies across all formats, and Celeste has become a fixture at the PRH Speakers’ Bureau.
BOOKSELLER, MEDIA, AND READER DARLING. ARCs are being created for Winter Institute, where Celeste will be one of only two Penguin authors in appearance.
BUILDING OFF HUGE COMMERCIAL AND CRITICAL SUCCESS. Everything I Never Told You, which was a New York Times bestseller, a New York Times Notable Book of 2014, Amazon’s #1 Best Book of 2014, and named a best book of the year by over a dozen publications. The novel received the Massachusetts Book Award, the Asian/Pacific American Award for Literature, the ALA’s Alex Award, and the Medici Book Club Prize.
CAPTIVATING AND INFLUENTIAL SOCIAL MEDIA PRESENCE. Celeste is a winning advocate, whose profile has grown exponentially. She is a powerful voice on social media and elsewhere for the need to feature diverse voices in literature, and her work has been featured on platforms all across the media landscape.
MORE AMBITIOUS NOVEL HAS ALL SIGNATURE CHARMS OF HER WORK. LITTLE FIRES EVERYWHERE will remind readers why they fell in love with Celeste’s first novel, but it is an even more ambitious and accomplished work that is sure to garner new fans.
INTERNATIONAL SENSATION: Celeste’s debut, EVERYTHING I NEVER TOLD YOU, was published in over twenty languages.
“I read Little Fires Everywhere in a single, breathless sitting. With brilliance and beauty, Celeste Ng dissects a microcosm of American society just when we need to see it beneath the microscope: how do questions of race stack up against the comfort of privilege, and what role does that play in parenting? Is motherhood a bond forged by blood, or by love? And perhaps most importantly: do the faults of our past determine what we deserve in the future? Be ready to be wowed by Ng’s writing—and unsettled by the mirror held up to one’s own beliefs.” - Jodi Picoult, New York Times bestselling author of Small Great Things and Leaving Time
“Witty, wise, and tender. It’s a marvel.” -Paula Hawkins, author of The Girl on the Train and Into the Water
“Witnessing these two families as they commingle and clash is an utterly engrossing, often heartbreaking, deeply empathetic experience…It’s this vast and complex network of moral affiliations—and the nuanced omniscient voice that Ng employs to navigate it—that make this novel even more ambitious and accomplished than her debut…Our trusty narrator is as powerful and persuasive and delightfully clever as the narrator in a Victorian novel…It is a thrillingly democratic use of omniscience, and, for a novel about class, race, family and the dangers of the status quo, brilliantly apt…The magic of this novel lies in its power to implicate all of its characters—and likely many of its readers—in that innocent delusion [of a post-racial America]. Who set the littles fires everywhere? We keep reading to find out, even as we suspect that it could be us with ash on our hands.” —Eleanor Henderson, The New York Times Book Review
“[Ng] captures her setting with an ethnologist’s authority…And there are time-capsule pleasures in her evocation of 1997…The writing is poised.” —Wall Street Journal
“Delectable and engrossing…A complex and compulsively readable suburban saga that is deeply invested in mothers and daughters…What Ng has written, in this thoroughly entertaining novel, is a pointed and persuasive social critique, teasing out the myriad forms of privilege and predation that stand between so many people and their achievement of the American dream. But there is a heartening optimism, too. This is a book that believes in the transformative powers of art and genuine kindness — and in the promise of new growth, even after devastation, even after everything has turned to ash.” —Boston Globe
“[Ng] widens her aperture to include a deeper, more diverse cast of characters. Though the book’s language is clean and straightforward, almost conversational, Ng has an acute sense of how real people (especially teenagers, the slang-slinging kryptonite of many an aspiring novelist) think and feel and communicate. Shaker Heights may be a place where “things were peaceful, and riots and bombs and earthquakes were quiet thumps, muffled by distance.’ But the real world is never as far away as it seems, of course. And if the scrim can’t be broken, sometimes you have to burn it down. Grade: A-” —Entertainment Weekly
“Stellar…The plot is tightly structured, full of echoes and convergence, the characters bound together by a growing number of thick, overlapping threads….Ng is a confident, talented writer, and it’s a pleasure to inhabit the lives of her characters and experience the rhythms of Shaker Heights through her clean, observant prose. Before she became an author she was a miniaturist — almost too perfect for a writer of suburban fiction — and there’s a lovely, balanced, dioramic quality to this novel. She toggles between multiple points of view, creating a narrative both broad in scope and fine in detail, all while keeping the story moving at a thriller’s pace.”—LA Times
“Riveting…unearthing the ways that race, class, motherhood and belonging intersect to shape each individual…Perhaps Ng’s most impressive feat is inviting the reader’s forgiveness for Mrs. Richardson –– a woman whose own mission for perfection, and strict adherence to rules ultimately become the catalyst for the maelstrom that ensues.”—Chicago Tribune
“Like Sue Monk Kidd or Madeleine Thien, Celeste Ng has a carpenter’s sure touch in constructing nested, interconnected plots…There are few novelists writing today who are as wise, compassionate and unsparing as Ng, about the choices you make, the ones you don’t, and the price you might pay for missed lives.” —Financial Times
“When you’re in the mood for family drama that’s not your own, Little Fires Everywhere by CelesteNg will have you hooked.” -The Skimm
“Sharp and entertaining—you can’t look away even when things are crashing and burning (literally)—and it possibly ranks up there with all-time great suburbia fiction, like Jeffrey Eugenides’s The Virgin Suicides.” — Goop
“Opposites attract and also ignite in this thoughtful novel.” —People
“Ng writes with the wisdom of a hundred lives lived.” — Harpers Bazaar
“A riveting read and one of our favorite new works of fiction this fall.” —Refinery29
“[Ng] probes privilege and the compromises it requires in a riveting novel.” –O, The Oprah Magazine
“A meditation on rules, race, class, insiders, outsiders, motherhood. There is no throwaway character. And after you’ve raced to the end of the book, you’ll want to read it again, to take the ideas and hold them up to the harsh light of 2017. Ng’s novel would be a great read in any time period—but if you’re struggling with the present moment and how we got here, this novel will do what any good piece of fiction does: illuminate.” —Barrie Hardymon, NPR’s Best Books of 2017
“Like Everything I Never Told You, Ng’s excellent debut, the book plots its way into a smart, accessible conversation about race and class. But free of the restraints of Everything’s thriller construction, Little Fires gives Ng the space and patience to confront how progressive-minded communities approach identity.” –GQ.com
“[A] suspenseful, tense tale.” —W Magazine
“[Ng’s] descriptions are so dead-on you can practically see the Cleveland skyline as you ride shotgun with these characters.” —Glamour
“A meditation on the unspoken pains and contradictions of motherhood. Its story unspools all the raw, knotted tensions that go into making a family…Choosing a rambling van over a 401(k) isn’t a sign of delinquent parenting in Ng’s universe; it’s just one of a series of possible paths, with its own unique pleasures and pitfalls.” –Refinery29
“Unmissable…Ng’s psychological insight is acute, yet generous,…Little Fires Everywhere examines the cruelties that we unwittingly inflict on those we claim to love.” ―Claire Fallon, HuffPost’s Best Fiction Books of 2017
“Takes unerring aim at upper-middle-class America’s blind spots…a nuanced study of mothers and daughters and the burden of not belonging to our families or our communities.” — Vogue
“Totally absorbing, each character drawn so well it makes it impossible to decide whose side you’re on.” — Marie Claire
“Ng writes with the wisdom of a hundred lives lived, churning out complex characters mostly sympathetic, sometimes loathsome, but all startlingly human.” —HarpersBazaar.com
“Fans of novelist Celeste Ng’s debut, Everything I Never Told You, and devotees of her resistance-ready Twitter feed can rejoice…The story drifts effortlessly between characters; each is full and memorable as they coax the novel to its fiery climax. Ng reminds us that action is a choice, and you’ll want to keep reading until the last irreversible actions play out.” —Bust
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