“Those who lament that the novel has lost its prophecy should pay heed and cover-price:Muck is the future, both of Jerusalem and of literature. God is showing some rare good taste, by choosing to speak to us through Dror Burstein.” —Joshua Cohen, author ofMoving KingsandBook of Numbers
In a Jerusalem both ancient and modern, where the First Temple squats over the populace like a Trump casino, where the streets are literally crawling with prophets and heathen helicopters buzz over Old Testament sovereigns, two young poets are about to have their lives turned upside down.
Struggling Jeremiah is worried that he might be wasting his time trying to be a writer; the great critic Broch just beat him over the head with his own computer keyboard. Mattaniah, on the other hand, is a real up-and-comer—but he has a secret he wouldn’t want anyone in the literary world to know: his late father was king of Judah.
Jeremiah begins to despair, and in that despair has a vision: that Jerusalem is doomed, and that Mattaniah will not only be forced to ascend to the throne but will thereafter witness his people slaughtered and exiled. But what does it mean to tell a friend and rival that his future is bleak? What sort of grudges and biases turn true vision into false prophecy? Can the very act of speaking a prediction aloud make it come true? And, if so, does that make you a seer, or just a schmuck?
Dramatizing the eternal dispute between poetry and power, between faith and practicality, between haves and have-nots, Dror Burstein’sMuckis a brilliant and subversive modern-dress retelling of the book of Jeremiah: a comedy with apocalyptic stakes by a star of Israeli fiction.
"[Muckis] the story of the Book of Jeremiah by way of Atlantic City; it's a tale of cosmic conflict and very small-scale, very human thwarted ambitions—and it's often bitingly funny." —Steve Donoghue,Open Letters Review
"InMuck . . .Burstein brilliantly and movingly superimposes [the prophet] Jeremiah’s poetic imprecations against the Israel of his time and the strange trajectory of his career, as described in the biblical book named after him, on Israel’s present-day travails. It could easily fall flat, but in Burstein’s hands it is both hilarious and appalling." —Gabriel Josipovici,The New Statesman
"Israeli writer Dror Burstein’s novelMuckturns all the way back to the Babylonian conquest of Judah, updating the scriptural story of Jeremiah . . . An absurdist blending of ancient and contemporary details . . . in the kvetching style of Joseph Heller." —Sam Sacks,The Wall Street Journal
"Influenced by such masterworks as Philip Roth's scabrousSabbath's Theater, Joseph Heller's satiricalCatch-22, and the modernist works of Thomas Pynchon, [Muck] is alternately hilarious (dig those talking dogs) and gripping in its treatment of the power of words. Ultimately, Burstein delivers page-turning suspense that gains resonance through its relevance to contemporary Israel . . . a dazzling and dizzying triumph." —Kirkus, starred review
"A surreal and searing story." —Vol. 1 Brooklyn
"Burstein manages to wrest Pynchonian satire from biblical eschatology, and his narrative is frequently funny . . . The prevailing sentiment, as Jeremiah’s warnings go unheeded by his fellow light-rail commuters, is an all-too-familiar sense of anxiety about an uncertain future." —Brendan Driscoll,Booklist
"Gritty realism intermixes with historical allusion, allowing [Muck] to function on several levels. The transmogrification of ancient events into a modern context creates a gripping world of hyperrealistic abandon." —Henry Bankhead,Library Journal
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