AMAZING ACCLAIM: David Joy’s debut Where All Light Tends to Go received widespread praise from the likes of the NYTBR among many others, and was a finalist for the Edgar, Macavity, and SIBA Book awards. His follow-up, The Weight of This World, received blurbs from Megan Abbott and Donald Ray Pollock, and praise from the NYTBR (“Bleakly beautiful”), Huffington Post (“Darkly stunning”), and Associated Press. The Line That Held Us was chosen as a BOTMC main pick for August and earned lovely praise as well (see below).
STRONG FORMAT FOR DAVID JOY: David Joy’s trade paperbacks have consistently performed nicely for us, as the lower price point opens up opportunities for book clubs, university “one read” selections, and other promotions.
A WRITER WHO CONTINUES TO MATURE AND GROW: With every novel, Joy’s stories become bigger in scope and his characters richer, a sign of his constant growth as a novelist. Though set in the same geographic region, and with his trademark darkness, each novel feels fresh and offers something new.
DEEPLY RELEVANT IN THE CURRENT CULTURAL DIALOGUE: Joy has been noted for his strong sense of place, the importance of Appalachia in his stories, and for his honest but compassionate depiction of the difficulties faced by people in this region. The kind of hardscrabble places and people he portrays have entered the cultural conversation with recent bestselling works like Hillbilly Elegy and White Trash. For readers who want to know and understand these places and people, there’s no better guide than David Joy.
RECOGNITION FOR JOY’S WRITING ABOUT THE CLASS DIVIDE AND HIS MISUNDERSTOOD REGION: Joy’s recent piece “Digging in the Trash,” published online by The Bitter Southerner, received a nod from The New York Times “What We’re Reading” column, which called it “the prettiest thing you will read about ’us and them,’ ’class and trash’ and the power that comes from listening.” This praise goes hand-in-hand with the accolades from reviewers, who consistently praise Joy’s deep understanding of and compassion toward this region and the people who live there.
EXCITING FILM NEWS: More details TK.
“Unflinching . . . Joy writes about rough-hewn men and women eking out a living in an economically depressed area, trying to avoid—but often affected by—violence and drugs that permeate the region. Their lives are tied to the land, its history and their families who established lives there decades ago.”—Associated Press
More Praise for The Line That Held Us
“A suspenseful page-turner, complete with one of the absolutely killer endings that have become one of Joy’s signatures.”—Los Angeles Times
“Exquisitely written, heart-wrenching . . . Joy’s descriptions are lyrical and lingering.”—Milwaukee Journal-Sentinel
“David Joy’s novel brought me to my knees. Exquisitely written and heart-wrenching, it reminded me of Faulkner in its dark depiction of family loyalty — that “old fierce pull of blood.” . . . Joy’s descriptions are lyrical and lingering. . . . In the end, the line that holds Joy’s characters may be fraught and frayed, but its pull is fierce.”—Minneapolis Star Tribune
“Joy has proved adept with southern noir in his first two novels, and he nails it again here, in the actions of characters who act as they must, for the sake of family and friendship, given their nature. This is fiction as beautiful and compelling as it is searing.”—Booklist (starred review)
"Poverty, class, violence, addiction, isolation: No one writes about the issues facing rural America as clearly, as fairly, or as well as David Joy. The Line That Held Us plumbs the depths of friendship and family, uncovering truths that are stamped on the page with blistering realism."—Wiley Cash, author of The Last Ballad
Praise for The Weight of This World
“Bleakly beautiful. . . [a] gorgeously written but pitiless novel about a region blessed by nature but reduced to desolation and despair.”—Marilyn Stasio, The New York Times Book Review
“Darkly stunning Appalachian noir.”—Huffington Post
“Scenes unfold at a furious pace, yet contain such rich description that readers will do well to read slowly, savoring Joy's prose. . . . Joy's work perfectly aligns with the author's self-described ‘Appalachian noir’ genre, as a sticky film of desperation and tragedy cloaks everything his characters touch. April, Aiden and Thad are hopelessly conflicted, dripping with history and heartache, yet they cling to unique dreams about what life could look like if they carried a bit less weight of the world upon their shoulders.”—Associated Press
An email has been sent out with instructions for resetting your password.