MWA Grandmaster whose work has influenced generations of bestsellers and will have the support of the mystery community.
LA TIMES Woman of the Year—Millar was an author with an incredible critical pedigree, which lives on today with several reviewers and outlets already excited to cover her return to print.
Seven-Volumes or One-Volume: Each volume is a stand-alone book for either the completist collector or the curious mystery reader looking to discover a new writer.
Various installments of COLLECTED MILLAR have been on numerous best of the year lists, including NPR, the Boston Globe, Globe and Mail, and Mystery Scene magazine.
PRAISE FOR MARGARET MILLAR
Mystery Writers of America Grand Master
Winner of the Edgar Award for Best Novel
Los Angeles Times Woman of the Year
“One of the most original and vital voices in all of American crime fiction.”
“I long ago changed my writing name to Ross Macdonald for obvious reasons.”
—Kenneth Millar (Ross Macdonald), in a letter to the Toronto Saturday Night newspaper
“Millar’s mysteries are filled with clever twists, yet what makes them special is her surgical approach to her characters’ inner lives. She’s got an eagle eye for the juicy stuff lots of mystery writers still ignore—questions of class, status, sexual desire and the difficult position of women. This last was something she knew about firsthand. Millar’s work was long overshadowed by that of her husband, detective novelist Ross Macdonald. In fact, her best novels — like 1955’s Beast in View — have a ferocious edge that make him look rather tame.”
—John Powers, NPR’s Fresh Air
“One of the greatest this country has ever produced.”
—The Globe and Mail
“A writer whose own work is every bit as psychologically bruising and critically acclaimed as that of her husband [Ross Macdonald], if not as well known. But [Syndicate Books] hopes to rectify that with Collected Millar.”
—Kevin Burton Smith, Mystery Scene Magazine
—The Seattle Times
“She has few peers, and no superior in the art of bamboozlement.”
“Written with such complete realization of every character that the most bitter antagonist of mystery fiction may be forced to acknowledge it as a work of art.”
—Anthony Boucher reviewing Beast in View for the New York Times
“Margaret Millar can build up the sensation of fear so strongly that at the end it literally hits you like a battering ram.”
—The New Yorker
“Brilliantly superlative… One of the most impressive additions to mystery literature—and the word “literature” is used in its fullest sense.”
—San Francisco Chronicle
“In the whole of crime fiction’s distinguished sisterhood, there is no one quite like Margaret Millar.”
“A superb writer.”
“She writes minor classics.”
“Mrs. Millar doesn’t attract fans she creates addicts.”
—Dilys Winn, namesake of the Dilys Award
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