A complex, rich collection of writing accounting for the development and history of one of South America’s greatest modern writers.
Juan Carlos Onetti won the Uruguay National Literature Prize (1962), the William Faulkner Foundation Ibero-American Award (1963), the Italian-Latin American Institute Prize (1972), and the Cervantes Price (1980).
“In his quest to explore modern forms of being, Onetti also broke new formal ground. His books are complex…reality itself devolves into a game of telephone…[Onetti] writes violent, direct tales filled with intrigue and doom in the best manner of Conrad (the writer he most resembles) and even Faulkner (his great hero).” — The New York Times
“One of the greatest Latin-American writers of the twentieth century…In Onetti’s fiction, characters are forever in limbo, between the world they actually inhabit and the one they’d prefer to imagine for themselves…The first major English translation of his collected stories, A Dream Come True, brings the author’s talents into full view.” — Jonathan Blitzer, New Yorker
“(Onetti’s) works, like traditional mystery stories, are structured around a chain of clues, but the deductive method the detective uses to expose the criminal and motive here attempts to penetrate the characters’ inner torments, which collapse endlessly, one into the other, like a series of trap doors…by 1940, with ’A Dream Come True,’ (Onetti) had written a masterpiece.” — Washington Examiner
“Onetti himself seems influenced by Poe by way of Baudelaire—but then filtered through William Burroughs, or perhaps B. Traven. The inhabitants of his imagined Santa María, a port city much like his native Montevideo, are a strange bunch, many of them German and Italian immigrants who are nowhere at home…Onetti’s stories are enigmatic and elegant…All are strange—and mesmerizing. A welcome, overdue collection by a writer well deserving of his place in the Latin American canon.” — Kirkus Reviews (Starred Review)
“In this standout collection, the Uruguayan Onetti, who died in 1994, masterly depicts the seedy disillusionment of characters in a South American backwater…There is a hint of Conrad in these misty tales that plunge beyond ’bare facts’ and conjure up a world suffused with misanthropy and meditative irony. Readers will be bewitched.” — Publishers Weekly (Starred Review)
“The stories collected in this volume are sometimes slight but more often long and strikingly original, especially in the way time contracts and dilates and the plot veers off in unexpected directions. They are also more daring than the novels…These stories indicate the broad trajectory of Onetti’s career. He was a clear-cut fabulist who turned into a cloudy mythmaker, but who stayed true to his primary vision of a provincial town in the winter rain.” —Harper’s Magazine
“Time and circumstance, and the particular bend of prevailing literary history, have all but buried Onetti’s fiction in English. And if left unaccounted for, his work–to his readers in translation anyway–is perhaps in danger of being worn away. Onetti himself once admitted that his reign was not of this world; at the time, he hadn’t intended that to be a warning.” — Jonathan Blitzer, The Nation
Onetti’s “stories and novels offer an intoxicating cocktail of solitude, frustrated desire, smoldering anger, defeat, and despair, invariably served with a twist. Somehow they cheer me up.” —Edwin Frank, in Words Without Borders
”Onetti had the strange quality of being inimitable and at the same time creating an entire school of writing. All of his descendants, myself included, received from him a lesson on narrative intelligence, on wise construction, on an immense love to literary imagination, on risk and irony.“ - Carlos Fuentes
”Onetti is the first modern writer in our language…His world is a dark one, highly pessimistic, with a vision of the human condition that is profoundly desperate, and which we would reject if it didn’t reach us with such a wonderful language…I can assure you that, without the great books that I’ve read, among which I can count Onetti’s books, my life would have been infinitely poorer.“ - Mario Vargas Llosa
”Onetti is an epiphany, a celebration of beauty, of emotion and tenderness.“ - Antonio Muñóz Molina
”Onetti’s writing is so good, a mere sentence by him will give you goosebumps. If I had to sell my soul to the devil in order to write a sentence in Spanish like someone else, I would think about very few authors: Borges, Onetti.“ - Carlos Gamerro
”Onetti’s writing knew that literature is creation, that creation is reality and not repetition or recreation, that it is about finding a good story to tell and then tell it beautifully." - Carlos Liscano
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