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Playwrights Canada Press Spring 2019

By (author): Donna-Michelle St. Bernard Introduction by: Nikki Shaffeeullah Afterword by: Kern Albert
Donna-Michelle St. Bernard ,

Introduction by :

Nikki Shaffeeullah ,

Afterword by :

Kern Albert


Playwrights Canada Press



Product Form:


Form detail:

Paperback , Trade


General Trade
Apr 02, 2019
$17.95 CAD


8.36in x 5.37 x 0.1 in | 110 gr

Page Count:

80 pages


60 minutes
FSC certified – mixed sources 0
Playwrights Canada Press
DRAMA / Canadian
  • Short Description

In this stark and poetic musing on the nature and poisons of survival, a group of shady businessmen, a servant, and a craftsman provide a critical look at oppression and trade in resources, inspired by acts between Niger and Iran.

A man earns. However little, however nefariously, he earns.

Oba, a middle-aged businessman, is torn between his pride and dignity. He’s obsessed with making deals in unidentified substances to stay afloat. A powerful client named Araf arrives, interested in Oba’s business, but also his fierce, inherited servant Femi. Oba’s young progeny Mabo is hungry and desperate, but still driven by his skills and sympathetic to the needs of others.

In this stark and poetic musing on the nature and poisons of survival, Cake humanizes the dynamic between Niger and Iran and their clandestine trade in uranium, presenting a dark and critical look at oppression, consumerism, and what happens when all of our resources are dried up.

Donna-Michelle St. Bernard, a.k.a. Belladonna the Blest, is an emcee, playwright, and agitator. Her main body of work, the 54ology, includes Cake, Sound of the Beast, A Man A Fish, Salome’s Clothes, Gas Girls, Give It Up, The Smell of Horses, and The First Stone. Works for young audiences include the META-nominated Reaching For Starlight, The Chariot, and Rabbit King of Kenya. Opera libretti include Forbidden (Afarin Mansouri/Tapestry Opera) and Oubliette (Ivan Barbotin/Tapestry Opera). She is co-editor with Yvette Nolan of the Playwrights Canada Press Refractions anthologies, and editor of Indian Act: Residential School Plays.

Nikki Shaffeeullah is a theatre artist, facilitator and activist. She has been Artistic Director of the AMY Project since 2015, and past work includes serving as Editor-?in-?Chief of alt.theatre magazine. Nikki believes art should disrupt the status quo, centre the margins, engage with the ancient, dream of the future and be for everyone.

Originally from Trinidad, Kern Albert sometimes reads books, sometimes writes things down, sometimes watches plays and most times sits in a corner and waits for something to happen. He likes doing all those things.

"It will be exciting to see where she heads next."

- Karen Fricker, Toronto Star

"Donna-Michelle St. Bernard is one fearless playwright."

- Lynn Slotkin, Intermission

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