Bricoleur. Bricklayer. The play on words is intentional. After all, the author is arguably CanLit's hardest-working mason, having founded both an important literary press and a magazine called Brick. What's more, in addition to penning ten books of his own, for almost thirty years, Stan Dragland thrived (or at least survived) in academia. "Maverick" scholar or not, you can't do that kind of work without some periods of dogged application. Bricoleur--the collagist, lover of fragments and random accidents. Bricklayer--the methodical builder. Are these, in fact, so antithetical?That is just one of the questions this fascinating assemblage raised for me. Do these sentences tell a story or state an argument? If they do, it is an oblique one. No matter. There's something magical in the age-old classification of tropes and schemes, something magical in the way these sentences jostle up against each other. There's fun in finding Christopher Smart in bed with Gertrude Stein; Warren Zevon wedged between Margaret Avison and Seamus Heaney; Ken Babstock on the same park bench as E. B. White. "It's a lonely activity, writing. Even the most successful of us, doing what we feel called to do, may feel like orphans unless we chance to happen upon our spiritual family." How to read a person? the book begins. Chart what he accumulates, say Ondaatje, Oliver, McKay. Reading this bricoleur's accumulation of sentences, I felt companioned. I'd wander with him anywhere in the fields of language. Erudite, yet earthy. Confidential, yet not confessional. Part commonplace book, part essay, part memoir, part literary appreciation, The Bricoleur & His Sentences is as playful, perceptive, and profound as the spirit that animates it.--Susan Olding
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