Takis Würger is a reporter working for the German news magazineDer Spiegel. Named one ofMedium’s “Top 30 Journalists under 30,” alongside other accolades, Würger’s work as a journalist has taken him to Afghanistan, Libya, Mexico, and Ukraine. His first novel, The Club, won the lit.Cologne debut prize in Germany.

Liesl Schillinger is a literary critic, writer, and translator, and teaches journalism and criticism at the Eugene Lang College of Liberal Arts of the New School for Social Research in New York City. She is the translator of the #1 international bestsellerThe Psychology of Stupidity, and has translated novels by Alexandre Dumas fils, Nataša Dragnić, Inès Cagnati, and Lorenza Pieri. She is the author ofWordbirds: An Irreverent Lexicon for the 21st Century. In 2017, she was named a Chevalier of the Order of Arts and Letters of France.

Praise forStella:

“Told in sparse, tight prose . . . An unsettling, atmospheric read.”—Antonia Senior,Times (UK)

“Serves as a reminder of the depths of depravity and evil of the Holocaust.”—Gordon Arnold,Winnipeg Free Press

“Spare, affecting . . . WuÌ?rger skillfully intertwines fact and fiction . . . Subtle, thought-provoking.”—Publishers Weekly

“A powerful, visceral portrait of individuals caught up in a pivotal year during Nazi rule.”—Booklist

“Takis Würger is someone out of the ordinary and this book is like him: powerful, strong, painful.Stella is a book from which we do not emerge unscathed and in which he explores the depths of the human soul. I stayed in this book for a long time after turning the final page. Würger is surely one of the most important writers of our generation.”—Joël Dicker,New York Times-bestselling author ofThe Truth About the Harry Quebert Affair

“With its deceptively simple yet quietly elegant style,Stella takes us into a world which we assume perhaps that we know, the Berlin of the war years. To our surprise, however, we discover that we do not know it at all. Here is a love story set among jazz clubs and artist studios yet inevitably enacted in the shadow of the Gestapo. It’s a story which shows us something new about a nightmare which is always in danger of seeming too familiar.”—Lawrence Osborne, author ofThe Glass Kingdom

“I was somewhat skeptical when I began this book, but it gripped and surprised me, and by the end I was full of admiration.”—Daniel Kehlmann, International Booker Prize-shortlisted author ofTyll

“For those who wish to find in history a key to our absolutist present.”—Il Giornale (Italy)

“Stella is a book you can hardly put down. You will read it in just a few hours, whatever you might have planned . . . It has a style which in a certain way echoes Hemingway’s war reporting—you might call it ‘melancholy heroism.’ But it reads very well, you can’t say otherwise.”—Die Welt (Germany)

“Würger writes in a quiet, authentic style; he writes without mercy but never without empathy, never in a way that is contrived or lurid.”—Jüdische Allgemeine (Germany)

“Würger avoids any hint of pathos, writing instead in clearly chiseled, artfully sparse sentences . . . It is the escalating state of emergency that explains everything in this slimmed down, concise novel.”—Abendzeitung München (Germany)

“Stella shows how war and love sometimes bring up the worst in a human being, and how much pain love can cause.”—Metro (Netherlands)

Praise forThe Club:

“The gritty subject matter is juxtaposed against a prose style we tend to associate with a different kind of novel—it reads more like a coming-of-age story than a thriller. Würger’s writing is mannered; it often has an otherworldly, fable-like quality.”—Adelle Waldman,New York Times Book Review

“Würger’s debut was a bestseller in his native Germany. Its universal themes, brilliantly depicted world and taut storytelling constitute a recipe for further success . . .The Club starts out as a poignant coming-of-age tale and then morphs into an intelligent, fast-paced thriller that scrutinizes class divides and gender imbalance . . . Würger serves up visceral thrills with boxing bouts. But he delivers real knockout blows as Hans goes deeper undercover and learns ‘what humans are at heart: predators.’”—Malcolm Forbes,Minneapolis Star Tribune

“A timely, beautifully paced novel about class and prestige in the #MeToo era . . . In a campus novel that echoes the detective structure of Donna Tartt’sThe Secret History, Würger cycles between each character’s voice to brilliantly evoke the medieval unreality of Cambridge and the almost comical wealth of the students. There is much to dissect in this concise and dramatic tale.”—Booklist

“A young man infiltrates a secret university club and discovers a dangerous secret . . . The club is full of rich, privileged young men well-versed in secrets, debauchery, and something far more sinister . . . The novel’s complicated ending touches on the problem of justice and redemption: who gets it, who deserves it, and its human cost. A sparse, cutting debut in which violence begets violence begets healing.”—Kirkus Reviews

“Distinguished German journalist Würger, who broke some bones boxing for a year at Cambridge, offers a powerful and provoking story.”—Library Journal

“A cunning, sinuous tale, Takis Würger’sThe Club is so wildly entertaining that, at first, it’s easy to miss its deeper mysteries. But, as it unfolds, brutal truths about class and gender and violence emerge, take hold and shudder through the novel’s final pages.”—Megan Abbott, best-selling author ofGive Me Your Hand andYou Will Know Me

“The Club, Takis Würger’s exquisite debut, is a novel as rare as a phoenix, a story both beautifully told and white-knuckle thrilling. A tale of pain, privilege and revenge,The Club reads like something both mythical and modern, a fable whose pages demand to be turned.”—Christopher J. Yates, author ofBlack Chalk andGrist Mill Road