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LPG Drama Backlist Catalogue: 2015

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    9781770912083 Electronic book text, PDF, $12.99 CAD 9781770912090 Electronic book text, EPUB, $12.99 CAD 9781770912946 Electronic book text, MobiPocket, $12.99 CAD
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An Almost Perfect Thing
By (author): Nicole Moeller
9781770912076 Paperback, Trade English General Trade DRAMA / Canadian Alberta Feb 01, 2014
$16.95 CAD
Active 5.38 x 8.5 x 0.45 in 112 pages Duration: 120 minutes FSC certified – mixed sources 0 Playwrights Canada Press
 
Gwen Pharis Ringwood Award for Drama 2012, Winner Neue Theaterstücke aus Kanada' National Competition 2012, Commended Sterling Award for Outstanding New Play 2011, Winner
Greg is a once-respected journalist searching for a high-profile story that will help revive his career. Chloe is the missing girl he wrote about six years earlier who has just returned home to a world she no longer recognizes. Instead of leading police to her captor, Chloe turns to Greg to share her story. Unfortunately for him, Chloe won’t provide names or locations, and instead dictates exactly how the story should be told. But Chloe has become an international celebrity—both respected and scrutinized by the public—and they all want to know, who is her kidnapper? Why is she protecting him? When Greg begins to question whether truth and fiction have collided, he takes matters into his own hands, in spite of the drastic consequences. Even if that means coming face to face with Chloe’s abductor. An Almost Perfect Thing is a multi-perspective thriller about possession and desire, the need to own our stories, and our “right” to the truth.

Nicole Moeller is an Edmonton-based playwright and a graduate of Grant MacEwan University’s Journalism and Theatre Arts programs. She was the first-place winner in the Alberta Playwrights’ Network 24-hour playwriting competitions in 2008 and 2009, and has received various awards for her work. Nicole was a member of Citadel Theatre’s playwrights’ forum from 2011–2013.

"Moeller is a big talent: theatrically smart, surprising in her insights, and elliptical in her writing." —Liz Nicholls, Edmonton Journal

"… [a] dark and haunting new work." —Paul Blinov, Vue Weekly

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