Richard Wagamese, an Ojibway from the Wabaseemoong First Nation in northwestern Ontario, was one of Canada's foremost writers. His acclaimed, bestselling novels included Indian Horse, which was a Canada Reads finalist, winner of the inaugural Burt Award for First Nations, Métis and Inuit Literature, and made into a feature film; and Medicine Walk. He was also the author of acclaimed memoirs, including For Joshua; One Native Life; and One Story, One Song, which won the George Ryga Award for Social Awareness in Literature; as well as a collection of personal reflections, Embers, which received the Bill Duthie Booksellers' Choice Award. He won numerous awards and recognition for his writing, including the National Aboriginal Achievement Award for Media and Communications, the Canada Council for the Arts Molson Prize, the Canada Reads People's Choice Award, and the Writers' Trust of Canada's Matt Cohen Award. Wagamese died on March 10, 2017, in Kamloops, BC.

Drew Hayden Taylor is an award-winning playwright, novelist, scriptwriter and journalist. He was born and still lives on the Curve Lake First Nation in Central Ontario. Taylor has authored nearly thirty books, including Take Us to Your Chief (Douglas & McIntyre, 2016). He also edited Me Funny, Me Sexy and Me Artsy (Douglas & McIntyre, 2005, 2008 and 2015), and has been nominated for two Governor General’s Awards.

Drew Hayden Taylor is an award-winning playwright, novelist, scriptwriter and journalist. He was born and still lives on the Curve Lake First Nation in Central Ontario. Taylor has authored nearly thirty books, including Take Us to Your Chief (Douglas & McIntyre, 2016). He also edited Me Funny, Me Sexy and Me Artsy (Douglas & McIntyre, 2005, 2008 and 2015), and has been nominated for two Governor General’s Awards.

“Treasure these words. Honour his thoughts. But don’t read it too fast. Soak it in. Enjoy every morsel. Linger on each page because every paragraph has nuggets of understanding. Lines of wisdom. Stories to appreciate.”

“...[Wagamese is] a key figure in the contemporary Indigenous literary renaissance.”