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Playwrights Canada Press Fall 2021

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Secret Life of a Mother
By (author): Hannah Moscovitch With: Maev Beaty With: Ann-Marie Kerr Foreword by: Marinda de Beer
Hannah Moscovitch ,

With :

Maev Beaty ,

With :

Ann-Marie Kerr ,

Foreword by :

Marinda de Beer

Imprint:

Playwrights Canada Press

ISBN:

9780369102836

Product Form:

Paperback

Form detail:

Trade
Paperback , Trade
English

Audience:

General Trade
Jan 11, 2022
$18.95 CAD
Active

Dimensions:

7.7in x 5.1 x 0.12 in | 80 gr

Page Count:

64 pages

Duration:

65 minutes
Playwrights Canada Press
DRAMA / Women Authors
  • Short Description

The raw, transcendent, and untold secrets of pregnancy, miscarriage, childbirth, and mothering is revealed in this true story of motherhood for the twenty-first century.

The raw and untold secrets of pregnancy, miscarriage, childbirth, and mothering are revealed in this true story of motherhood for the twenty-first century.

A playwright writes an exposé of modern motherhood full of her own darkly funny confessions and taboo-breaking truths. One of her real-life friends, an actress, performs the piece, and through it her own experiences of motherhood start to surface. These mothers are not the butts of jokes, the villains, or the perfect angels of a household.

This empowered and relatable play was written collaboratively between award-winning theatre artists Hannah Moscovitch, Maev Beaty, and Ann-Marie Kerr, with co-creator Marinda de Beer. Uplifting and full of love, Secret Life of a Mother is a generous and powerful act of truth-telling for anyone who has thought about, been, loved, known—or come from—a mother.

  • Hannah and Maev began working on the show in 2012 as an exploration into their curiosities about the truth of motherhood, and over the years of development became mothers themselves.
  • The authors have kept a fifty-page document of hundreds of emotional audience responses from the show.
  • Premiered in October 2018 at the Theatre Centre in Toronto in a co-production with the SLOM Collective and the Theatre Centre.

Hannah Moscovitch is an acclaimed Canadian playwright, TV writer, and librettist whose work has been widely produced in Canada and around the world. Recent stage work includes Sexual Misconduct of the Middle Classes and Old Stock: A Refugee Love Story (co-created with Christian Barry and Ben Caplan). Hannah has been the recipient of numerous awards, including the Trillium Book Award, the Nova Scotia Masterworks Arts Award, the Scotsman Fringe First and the Herald Angel Awards at the Edinburgh Festival Fringe, and the prestigious Windham-Campbell Prize administered by Yale University. She has been nominated for the international Susan Smith Blackburn Prize, the Drama Desk Award, Canada’s Siminovitch Prize in Theatre, and the Governor General’s Literary Award. She is a playwright-in-residence at Tarragon Theatre in Toronto. She lives in Halifax.

Maev Beaty is a critically acclaimed actor, writer, and voiceover artist, originating roles in twenty-three Canadian premieres (Hannah Moscovitch’s Bunny, Kate Hennig’s The Last Wife, Judith Thompson’s Palace of the End, Sharon Pollock’s Angel's Trumpet); co-writing and starring in award-winning theatre (Secret Life of a Mother, Montparnasse, Dance of the Red Skirts); interpreting lead classic roles across the country and over six seasons at the Stratford Festival (King Lear, She Stoops to Conquer, Midsummer Night’s Dream); and acting in epic theatre endeavours (Soulpepper’s August: Osage County, Sheep No Wool/Outside the March/Convergence’s Passion Play, Nightwood’s Penelopiad, Volcano’s Another Africa, TheatreFront’s The Mill). She is a Toronto Theatre Critics' Award winner, and has won multiple Dora Mavor Moore Awards and a thirteen-time nominee. She lives in Toronto.

Ann-Marie Kerr is an award-winning theatre director, actor, and teacher based in Halifax. Select directing credits include Concord Floral (Fountain School of Performing Arts, Halifax), Secret Life of A Mother (Theatre Centre and Crow’s Theatre, Toronto), One Discordant Violin (2b theatre company, Halifax, and 59E59 Theatre, New York), Bed and Breakfast (Soulpepper Theatre Company, Toronto), A Christmas Carol (Theatre New Brunswick, Fredericton), Daughter (Summerworks, Toronto, and Battersea Arts Centre, London), Snake in the Grass (Neptune Theatre, Halifax), I, Claudia (Globe Theatre, Regina, and Neptune Theatre, Halifax), Stranger to Hard Work (Cathy Jones Eastern Front Theatre, national tour), The Circle (Alberta Theatre Projects, Calgary), The Debacle (Zuppa Theatre Company, Halifax), and Invisible Atom (2b theatre company, Halifax, and international tour). She is a graduate of L’École internationale de the´a^tre Jacques Lecoq and York University and is the former artistic associate of the Magnetic North Theatre Festival.

Marinda de Beer has spent the last twenty-seven years stage managing in Toronto and across Canada. She has worked for Soulpepper, Canadian Stage, the Shaw Festival, Théâtre français de Toronto, Tarragon Theatre, and many other independent theatres. While stage managing, she was also a birth and post-partum doula for fifteen years, primarily serving the theatre community. She began producing in the last five years and is currently finishing her master’s degree in Buddhism and Pastoral Studies.

“Breathtaking piece of theatre. I've never left a play with a feeling like this. Shaken, uplifted, troubled, grateful.”

- Stephanie Morgenstern

“One of the most creative, radically honest, thrillingly acted and incredibly well told stories I have ever seen on stage, anywhere.”

- Tracey Erin Smith

“That piece of theatre grew me. Powerful, essential, moving, vulnerable, educational, real-ass shit.”

- Bahia Watson

“I am awestruck, rearranged, churned, changed.”

- Karen Robinson

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