Terry Doyle is from the Goulds, Newfoundland. His first book, DIG, was a finalist for the Danuta Gleed Literary Award, the Newfoundland and Labrador Book Award for Fiction, the ReLit Award for Fiction, the Margaret and John Savage First Book Award for Fiction, and the Alistair MacLeod Short Fiction Award.

For more information contact
Nicole Haldoupis, Marketing Coordinator, 709-722-6680 ext. 225, [email protected]

"St. John’s is luminous and alive in the deft, driving prose of Terry Doyle’s first novel. The Wards waltzes through the liminal spaces of the city—hospital waiting rooms, cabins in winter, office buildings at night—and weaves a riveting tapestry of grit, dust, and dysfunctional love. Its characters glimmer in a snow-spangled side mirror, fragmented and shining, closer than they appear."

- Matthew Hollett, author of Optic Nerve

"In this age of enfant terrible posturing and neo liberal platitudinal outrage, and far outside the thematic, political, conceptual, and formal concerns of The Wards—a novel, by the way, that proceeds with all the innuendo, understatement, history, tension, and outright conflict of a dysfunctional family—Terry Doyle has emerged as that most rare sort of talent in Canadian literature: an artist who writes not about the working class to be fetishized and romanticized by our economic, intellectual and cultural superiors, but rather, to the working class itself. The distinction is subtle and crucial. And The Wards, in its tender and hilarious examination of familial and brotherly love, is a crucial and heart-breaking book."

- Craig Francis Power, award-winning author of Skeet Love

"Like a match struck in the darkness, The Wards sheds a merciful light on the subtle suffering that can keep us bound together, and the seismic shifts that can set us free. Terry Doyle writes about the complex webs of feeling and family with great clarity, honesty, and tenderness."

- Amy Spurway, author of Crow

“[A] first novel, this one concerning the evocatively surnamed working-class family in present-day St. John’s. Consistently, the characters are revealed and constructed through attitudes and actions, never explicitly described. We don’t really know what they ‘look’ like, but we can see them.”

- The Telegram