Audience:General / adult
Dimensions:8.54in x 5.68 x 0.95 in | 0.82 lb
Page Count:272 pages
NOVEL POISED FOR BREAK-OUT SUCCESS: The prose is stunning; the plot, riveting; and the setting—1970s arthouse California—will appeal to a wide readership. As this novel is more plot-based than Heidi’s debut, we’d love to target both upmarket and literary readers.
AWARDS POTENTIAL: The Dictionary of Animal Languages was shortlisted for the 2019 Kobo Emerging Writer Prize and longlisted for the 2019 Royal Society of Literature Ondaatje Prize. We expect just as many nominations—if not more—for her second novel.
WELL-CONNECTED CANADIAN AUTHOR: Heidi’s writing has appeared in The Globe and Mail, Toronto Life, Flare, and more. She is close friends with writer Claudia Dey and together they own Horses Atelier, a popular clothing store on Queen West.
STRIKING COVER: The eye-catching cover was designed by Heidi’s husband Jason Logan and we’ll package it as a small format HC.
PUBLISHING PARTNER: We’re publishing simultaneously with Scribe UK.
The Globe and Mail’s “Summer Books Preview: 38 books to escape with this season”
CBC’s “28 Canadian books we can’t wait to read in August”
49th Shelf’s “Our Amazing 2022 Summer Reading List (Part Two)!”
Chatelaine’s “16 Fall Books To Warm Up With”
CBC’s “Fall reading list: 30 Canadian books to read now”
The Sydney Morning Herald’s “Masterful mystery books to keep you guessing…if you dare”
“These brilliant and bold artists explode off the page as they try to transcend the boundaries of the material world in their work. But the most dangerous waters they must navigate are those of the male-dominated world of the 1970s, which erases their art and identities. Sopinka explores the minefield that is loving men in an oppressively patriarchal world. And she captures the volatility and power of female friendships, and the uncharted maps of women’s untameable artistic drives.”
—Heather O’Neill, author of When We Lost Our Heads
“With tense and glittering writing, Heidi Sopinka’s Utopia blasts the dry desert sun onto the lives and afterlives of a circle of Californian artists, the women they are and the women they love. This is a thrilling book about artistic inheritance, jealousies and affinities.”
—Leanne Shapton, author of Guestbook and Swimming Studies
“Utopia is a marvel. Vividly beguiling on art, love, and what it means to be alive, every page thrums with magic.”
—Sophie Mackintosh, Booker Prize–nominated author of The Water Cure and Blue Ticket
“Utopia is a bird’s eye view of the desires of the human heart…through characters who feel and live deeply at the boundaries of art and life. Sopinka’s luminescent prose tackles the danger and vitality of artistic and bodily desire under the politically charged structures of masculine power…with rawness, deep awareness, and razor-sharp critique…. This is an urgent book.”
—Angélique Lalonde, Giller Prize–shortlisted author of Glorious Frazzled Beings
“I was transfixed by Heidi Sopinka’s incandescent prose. It blazed through me and touched my heart in the deepest, most tender place. Utopia is about a powerful bond between mother and daughter; the collision of art, performance, and female friendships; and how grief shapes our ability to love and hope. Sexy, devastating, and wise—this novel will make you feel alive.”
—Sanaë Lemoine, author of The Margot Affair
“Utopia is a study in contrasts: tart and poetic; sensitive and wild; bright and spooky like the LA light. It drove me onward; it let me linger. It made me angry; it inspired me. Above all, it clinches what we all suspected from The Dictionary of Animal Languages — Heidi Sopinka is a crazy good writer. I’d follow her anywhere.”
“Flames of female rage run hot in this shimmering art-world ghost story…. Sensual, mysterious, and provocative, Utopia raises essential questions about women’s marginalization in the art world, loss of self and search for artistic grounding, the maternal impulse, and the demands of a life in art.”
—Janet Fitch, author of White Oleander and Paint It Black
“Utopia is interested in life as performance, in the ways that we attempt to transcend our own bodies, and in what it means to be a woman artist in a world that is run by and for men. Set against the backdrop of the arid California desert, full of scalding cups of diner coffee and burning tarmac highways, this is a book as seething as its parts.”
—Saba Sams, author of Send Nudes
“Tense, sexy, and uncanny. Utopia shimmers with desert heat and burns with atmosphere. It’s Rebecca meets Zabriskie Point. Luminous.”
—Francesca Reece, author of Voyeur
“Utopia is a searing novel about art, ownership, and the entanglement of power and performance. Heidi Sopinka’s sentences have a bluish-orange intensity, a captivating energy that conjures a desert at dusk.”
—Makenna Goodman, author of The Shame
“Sopinka’s promising second novel–-part psychological thriller, part ghostly love story with bright notes of Rachel Kushner-–is set amidst the male-dominated hustle of the late-1970s New York art world.”
—The Globe and Mail
“There are many hints of Daphne du Maurier’s Rebecca … Part page-turning mystery, part ode to art and women’s resilience, this is a beautifully odd book that needs and deserves time to seep into the reader’s bones.”
“Utopia cleverly investigates layers of social issues: feminism and its intersections with race and class; gender roles in life and in art; women’s relationships; the artist’s relationship to commerce and social justice … [Sopinka] excels in characterization and the evocation of the power of creation.”
“Sopinka’s mesmerizing latest … stages a story of obsession in the 1970s Los Angeles art world … This page-turner doubles as a love letter to the daring women on the fringes of art history.”