Browne launches his unexpected journey of discovery with a simple question: "Who was Fungus, or Fungus Man, and why did he become the one responsible for the miracle of human procreation?" Every good story is an origin story — and a mystery story — and in Entering Time: The Fungus Man Platters of Charles Edenshaw, Browne ranges through the fields of art history, literature, ethnology, and myth to discover a parallel history of modernism within one of the world’s most subtle and sophisticated artistic and literary cultures.
The text is supplemented by an interview with visual artist Neil Campbell whose recent paintings speak to Fungus Man’s art-historical echoes and contemporary relevance.
“Entering Time explores family, crucial episodes in the development of art, the brutalities of colonial history, the origins of gender, and the creative cunning of Raven. Colin Browne finds in Fungus Man the spirit of resistance. This was vital to the Haida; nothing could now be more important to all of us.”—Hugh Brody, author of Maps and Dream
“With a passion that is contagious, Colin Browne leads readers across the realms of epic poem, oral narrative, science, art, and detective story as he pursues Raven and his helmsman – the mysterious Fungus Man – on an enthralling journey into time and history.”—Karen Duffek, co-author of The Transforming Image
“Colin Browne provides a thoughtful, provocative analysis of Charles Edenshaw’s depictions of Raven’s journey to help fulfill women, and in doing so, contemplates humanity’s existence.”—Gid7ahl-Gudsllaay, Lalaxaaygans, Terri-Lynn Williams-Davidson
“[Browne] is to be congratulated on treating Edenshaw’s work not as a separate ‘ethnographic’ art but as modernist hybrid work that mirrored what was going on in the Haida world in late nineteenth and early twentieth century B.C. Browne’s detailed discussion of Charles Edenshaw’s platters – and the political, social, and economic environment in which that creation took place – is informed by his dependence on the knowledge and insight of contemporary Haida scholars and artists and also by his extensive reference to academic discussion. … A delight to read and an accessible and lively introduction to the twists and turns of Haida mythology.”
—The Ormsby Review
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