Add Best Comp

Add comparable title

Remove comparable title

Rizzoli, Spring 2017

  • Thumbnail View
  • Scrolling view
  • Grid view
more
  • Sales Rights

    For sale with exclusive rights in: AD AE AF AG AI AL AM AO AQ AR AS AT AU AW AX AZ BA BB BD BE BF BG BH BI BJ BL BM BN BO BQ BR BS BT BV BW BY BZ CA CC CD CF CG CH CI CK CL CM CN CO CR CU CV CW CX CY CZ DE DJ DK DM DO DZ EC EE EG EH ER ES ET FI FJ FK FM FO FR GA GB GD GE GF GG GH GI GL GM GN GP GQ GR GS GT GU GW GY HK HM HN HR HT HU ID IE IL IM IN IO IQ IR IS IT JE JM JO JP KE KG KH KI KM KN KP KR KW KY KZ LA LB LC LI LK LR LS LT LU LV LY MA MC MD ME MF MG MH MK ML MM MN MO MP MQ MR MS MT MU MV MW MX MY MZ NA NC NE NF NG NI NL NO NP NR NU NZ OM PA PE PF PG PH PK PL PM PN PR PS PT PW PY QA RE RO RS RU RW SA SB SC SD SE SG SH SI SJ SK SL SM SN SO SR SS ST SV SX SY SZ TC TD TF TG TH TJ TK TL TM TN TO TR TT TV TW TZ UA UG UM US UY UZ VA VC VE VG VI VN VU WF WS YE YT ZA ZM ZW
  • Supply Detail

    Distributor: Penguin Random House Availability: Available On Sale Date: Mar 07, 2017 Carton Quantity: 7
  • Catalogues

Ryan McGinley
The Kids Were Alright
By (author): Nora Burnett Abrams Contributions by: Ryan McGinley Contributions by: Tim Barber Contributions by: Aaron Bondaroff
9780847859702 Hardcover English General Trade PHOTOGRAPHY / Individual Photographers / General Mar 07, 2017
$75.00 CAD
Active 8.3 x 11.3 x 1.2 in 336 pages 125 COLOR PHOTOGRAPHS Rizzoli Skira Rizzoli
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists
in downtown New York City.
 
Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art.
 
These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career.
 
Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.

Nora Burnett Abrams is a curator at MCA Denver. She has organized solo exhibitions of Paul Sietsema and Adrian Ghenie and major group shows such as Postscript: Writing After Conceptual Art. Prior to MCA Denver, she worked at the Museum of Modern Art, the Metropolitan Museum of Art, and the Grey Art Gallery at NYU.

of 146

Register

Step 1 of 2

Thanks for signing up! Please tell us a little about yourself.
* Indicates required field




Step 2 of 2

Forgotten Password

Please enter your email address and click submit. An email with instructions on resetting your password will be sent to you.

Forgotten Password

An email has been sent out with instructions for resetting your password.