The island is shy and exuberant, savage and fair, bold yet self-effacing. It is a woman in heat, a man in despair, a blonde horse at sunset, a riot of fig trees, a flaking white salt bed, an arid garden of thyme and oregano, a hundred clotheslines full of octopi hung up to dry, a warm night of fireflies and tiny shrimps with burning eyes.
In her first work of nonfiction, Mermaids and Ikons: A Greek Summer, originally published in 1978, beloved poet and novelist Gwendolyn MacEwen explores her strongly personal responses to a complex civilization. Partly written during a trip to Greece in 1971, MacEwen moves from the urban tumult of Athens to the radiant simplicity of an island in the Aegean.
In this intimate and exquisitely written travel diary, she evokes the very spirit of Greece — the exuberance of the people, the sun-drenched landscape, and the shaping power of ancient traditions and myths in modern Mediterranean life.
This edition features a new introduction by the award-winning biographer Rosemary Sullivan.
“I still remember the initial impact Gwendolyn MacEwen had on me at the Bohemian Embassy in 1960: ‘Where did this come from? How come she’s so young? And what is this unearthly being?’” — Margaret Atwood [From the cover of The Selected Gwendolyn MacEwen, Exile Editions, 2007]
“Gwendolyn MacEwen seemed to many an exotic and mesmerizing presence. In less than twenty-six years she published twenty books and became with Margaret Atwood the most celebrated poet of her day.” — Rosemary Sullivan, The Shadow Maker: The Life of Gwendolyn MacEwen
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