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Macmillan Complete Spring 19 for CataList

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A Primer for Forgetting
Getting Past the Past
By (author): Lewis Hyde
9780374237219 Hardcover, Dust jacket English General Trade BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs Jun 18, 2019 Print Run: 20000
$38.00 CAD
Active 5.7 x 8.39 x 1.24 in | 480 gr 384 pages 24 Black-and-White Illustrations / Sources, Index Farrar Straus & Giroux Farrar, Straus and Giroux
Wall Street Journal Best Books of the Year 2019, Long-listed

“One of our true superstars of nonfiction” (David Foster Wallace), Lewis Hyde offers a playful and inspiring defense of forgetfulness by exploring the healing effect it can have on the human psyche.

We live in a culture that prizes memory—how much we can store, the quality of what’s preserved, how we might better document and retain the moments of our life while fighting off the nightmare of losing all that we have experienced. But what if forgetfulness were seen not as something to fear—be it in the form of illness or simple absentmindedness—but rather as a blessing, a balm, a path to peace and rebirth?

A Primer for Forgetting is a remarkable experiment in scholarship, autobiography, and social criticism by the author of the classicsThe Gift andTrickster Makes This World. It forges a new vision of forgetfulness by assembling fragments of art and writing from the ancient world to the modern, weighing the potential boons forgetfulness might offer the present moment as a creative and political force. It also turns inward, using the author’s own life and memory as a canvas upon which to extol the virtues of a concept too long taken as an evil.

Drawing material from Hesiod to Jorge Luis Borges to Elizabeth Bishop to Archbishop Desmond Tutu, from myths and legends to very real and recent traumas both personal and historical,A Primer for Forgetting is a unique and remarkable synthesis that only Lewis Hyde could have produced.

Lewis Hyde is the author ofTrickster Makes This World: Mischief, Myth, and ArtandThe Gift: Creativity and the Artist in the Modern World, as well as a book of poems,This Error Is the Sign of Love.

"Lewis Hyde’s new book is so counterintuitive, so bracingly clear and fresh, that reading it is like leaping into a cold lake on a hot hike. It shocks the mind. It flushes all kinds of monotony and mental fatigue right out of your system . . .It is less argument than art. . . I can’t tell you how many times I put it down to stare out the window. I can think of no higher praise." —Christian Wiman,The Wall Street Journal

"Poet-essayist Hyde celebrates forgetting asa force for creative potency, personal growth, and social justice, and in doing so reminds us of his talent for intellectual synthesis and his restless, contrarian spirit . . . in the way of Zen Buddhism, [A Primer for Forgetting] is an invitation to forget our very selves so that we might finally see the universe clearly. And alongside all of the bright-burning erudition, there is a very moving personal angle: his mother's progressive dementia and the prospect of his own." —Brendan Driscoll,Booklist(starred review)

"Erudite . . . Hyde roams freely in this book as he tracks down devotees of memory and those who would much rather forget. Both have left their marks and legacies upon history.We are beholden to this author for focusing our attention on their actions, thoughts, words, and deeds." —Mary Ann Brussat,Spirituality & Practice

InA Primer for Forgetting,that bold yet gentle intellectual adventurer, Lewis Hyde, harrows the bottomless mysteries of memory and forgetting, trauma and recovery, amnesia and commemoration, reconciliation and forgiveness.If this deep, poignant, soulful, inquisitive, gently tragic and disarmingly erudite book were nine times longer, I would still have felt sad when I realized it was coming to an end." —Michael Chabon, author ofMoonglowandBookends

"Slavery, civil war, genocide—will the consequences of these horrors ever end? Could forgetting be a way to reconciliation? Lewis Hyde distinguishes between kinds of forgetting—one of which may lead to forgiveness and justice. InA Primerfor Forgetting, he has given us yetanother invaluable work that advances humanity." —Maxine Hong Kingston, author ofThe Fifth Book of Peace

"The sequence of Lewis Hyde’s brilliant cultural interventions here reaches a new height, but also a new level of intimacy and compassion. The book feels not so much written as 'unforgotten' onto the page, out of our collective desire to rescue the world." —Jonathan Lethem, author ofThe Feral DetectiveandMotherless Brooklyn

"Compounding and crystalline, penetrating and multifaceted, these collected musings by Lewis Hyde,one of our country’s greatest public thinkers, on one of both public and private life’s most formidable conundrums: what to remember and what to forget, how why and when to make room for the future by authentically honoring and incorporating the past . . . but then letting go and moving on." —Lawrence Weschler, author ofA Miracle, A Universe: Settling Accounts with TorturersandAnd How AreYou, Doctor Sacks?: A Biographical Memoir of Oliver Sacks

"In this unforgettable rumination on the power of forgetting, Lewis Hyde offers us the gift of his most intimate reflections. Weaving vengeance, violence, regret, memory, prejudice, identity, forgiveness and transcendence into one entrancing whole, he points the way toward both outer and inner peace." —Mark Epstein, author ofThe Trauma of Everyday Life andAdvice Not Given: A Guide to Getting Over Yourself

"A Primer for Forgetting is the most original and 'slantingly' (in Emily Dickinson’s sense) profound book I’ve read in ages." —David Rieff, author ofIn Praise of ForgettingandThe Reproach of Hunger

"A Primer for Forgetting is a brilliant, original, and provocative work that free associates like an intelligent and ultimately rational dream.” —Dale Peterson, author ofJane Goodall: the Woman Who Redefined Man andThe Ghosts of Gombe

"A Primer for Forgetting isessential readingfor a nuanced understanding of how the complex of memory-and-oblivion might work together to create a more nimble world in our political present." —Ann Hamilton, artist

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