Mallory Amirault's debut collection Brine is an ambitious land-metaphor; merging history and imagination, it's a work of poetry that doubles as a prose novel. Subtly unfolding character-led intimacies, it acts as an interruption to long-standing Maritime coloniality. Amirault describes Brine as an aboiteau at the shoreline of a colonial event. Engaging the elemental and political act of arriving and departing, the story is a mechanism that slowly removes salt from the Maritimes, and points to say ?wound.?