The seated child. With a single powerful image, Deborah Ellis draws our attention to nine children and the situations they find themselves in, often through no fault of their own. In each story, a child makes a decision and takes action, be that a tiny gesture or a life-altering choice.
Jafar is a child laborer in a chair factory and longs to go to school. Sue sits on a swing as she and her brother wait to have a supervised visit with their father at the children’s aid society. Gretchen considers the lives of concentration camp victims during a school tour of Auschwitz. Mike survives seventy-two days of solitary as a young offender. Barry squirms on a food court chair as his parents tell him that they are separating. Macie sits on a too-small time-out chair while her mother receives visitors for tea. Noosala crouches in a fetid, crowded apartment in Uzbekistan, waiting for an unscrupulous refugee smuggler to decide her fate.
These children find the courage to face their situations in ways large and small, in this eloquent collection from a master storyteller.
Deborah Ellis is a member of the Order of Canada. She has won the University of California’s Middle East Book Award, Sweden’s Peter Pan Prize, the Governor General’s Award, and the Jane Addams Children’s Book Award. She is best known for her Breadwinner series, which has been published in twenty-five languages, with $2 million in royalties donated to Canadian Women for Women in Afghanistan and Street Kids International. deborahellis.com
Ellis nimbly slips into the minds of her memorable characters … and her thought-provoking collection should spark wide-ranging discussions about choice and injustice. - Publishers Weekly
Beautifully wrought, the collection will appeal to thoughtful readers who appreciate Ellis' other globally-aware works … An excellent choice for all collections. - Booklist, STARRED REVIEW
Every story is poignant and provocative. Ellis writes with deep compassion and intuitiveness. - School Library Journal
… the collection’s focus on the action—or, more appropriately, the inaction—of sitting places readers right next to each protagonist as they transition from physically and metaphorically staying still to moving on. - Bulletin of the Center for Children's Books
An email has been sent out with instructions for resetting your password.